Lick It Good 11

Snoop along with Scooby-Doo, Shaggy, Velma, Daphne and Fred one last time in this 10th and Final Volume of What's New Scooby Doo Volume 10: Monstrous Tails. The gang flies to the South Pole to fish for clues in hopes of hooking an amphibious menace in Uncle Scooby and Antarctica. Heading north to the Orient, they toy around in a giant water ducky to cool off a ferocious Chinese fire-shooting dragon in Block-Long Hong Kong Terror. Back down under in Australia's Great Barrier Reef, artist Shaggy enters a sand castle contest where a yucky corral creature threatens to wash away his dreams of Clamalot in Great Reef. So it's good to finally be back in their old Kentucky home -- Fort Knox to be exact -- until a golden ghoul turns everything it touches into statues with it's gold finger in Gold Paw.

A man prepares a surprise for his wife on their 5-year-anniversary. One day, a couple, a man in the middle of a divorce and his mistress, come to visit. An entangled romantic web ensues.

A journey into a strange new world. Director Qamar Abdulmalik relies on collective memories of advertisements, familiar yet artificial, to create the atmosphere of a “dream”. In that space, he renders the complex realities of nationality, country, and home.

Now parents, Omar and Salma hit some obstacles while raising their two children and staying in love after the honeymoon ends.

An archival investigation into the imperial image-making of the RAF ‘Z Unit’, which determined the destruction of human, animal and cultural life across Somaliland, as well as Africa and Asia.

Documentary on industrial lubrification.

Alegría is a mood, a state of mind. The themes of the show, whose name means "jubilation" in Spanish, are many. Power and the handing down of power over time, the evolution from ancient monarchies to modern democracies, old age, youth - it is against this backdrop that the characters of Alegría play out their lives. Kings' fools, minstrels, beggars, old aristocrats and children make up its universe, along with the clowns, who alone are able to resist the passing of time and the social transformations that accompany it.

Arunachalam, the son of a prominent village elder, discovers the truth about his past.

A boy walks through an abandoned building and films the interior. Suddenly his camera disappears.

Oscar, a digital hipster, dives into the fantastic world of analogue loving projectionists. It’s not as easy as it might seems, one may even get hurt! The documentary is about the dying culture of 70mm material and the last mohykans, who aren’t afraid of fighting for their beloved film copies and feed the hungry old projectors with them.

After the passing away of her father, a local physician, Aarti takes it upon herself to dispense medicine, as well as sew clothes, and looks after a child named Kundan who has lost his legs to paralysis. She has a admirer in Arun, who secretly loves her, would like to marry her, but knows that he is poor and will be unable to afford a family, as he is a mere painter. Then an elderly man enters Aarti's life, he is ill, she offers to look after him until he gets better and leaves, but he does not leave, as he has nowhere to go, and she allows him to stay. Then good luck smiles on them as Arun sells one of his paintings, and he is able to get artificial legs for the child. What Arun and Aarti do not know is that the elderly male is really a very wealthy man named Ambarprasad, who had run away from his home when he was accused of having sex with his protégé, a young woman, who he had brought up. The question is what is Ambarprasad up to now?