The Famous Box Trick

Maître Labori is seen approaching the bridge of Rennes in company with Colonel Picquart and M. Gast, Mayor of Rennes. They notice that they are followed by another man to whom Colonel Picquart calls Labori's attention. They, however, consider his proximity of no importance, and continue to speak together. As soon as their backs are turned, the man draws a revolver and fires twice at Maître Labori, who is seen to fall to the ground. The culprit makes his escape, pursued by Colonel Picquart and M. Gast.

A bearded man hangs up a wreath and, like any good magician, waves his hands inside of it and under it to show us it's only a wreath…

Earliest known example of African American intimacy on screen.

While working in the US on a temporary visa as a caretaker, Mara, a 30 year-old single mother from Romania, marries Daniel, an American. After the arrival of her son Dragos, everything seems to have fallen perfectly into place. When the process of getting a green card veers unexpectedly off course, however, Mara is faced with abuses of power on every level and forced to answer a dark question about herself – how far would you go to get what you want?

A delivery driver in New York City discovers his e-bike has been stolen. With his family en route after many years apart, Lu must contend with a community that has turned its back on him while he tries to replace the only thing promising to keep his family afloat.

Oh starts working at a boutique to help her make a living. Professor Jang begins dating the typist Miss Park, but decides to break up with her to protect her family. Han's wife anonymously sends a letter to Jang to reveal Oh's affair.

Fluxes is Arthur Lipsett's view of the human condition and the mixed-up planet where humans are found. As in his other films (Very Nice, Very Nice; 21-87), Fluxes has a disconnected flow of images that, in their erratic way, build up into a cutting indictment of the world the way it is. The film's only commentary consists of unrelated snatches of words and sounds.

In “Vital Signs” (1991), Barbara Hammer demonstratively transforms the horror of death into its opposite. She tenderly cares for a human skeleton, feeding it, dressing and caressing it, taking it for walks in the dark cabaret of an intimate relationship beyond death. She confronts pain and fear rather than repressing them.

A man is suddenly drawn kicking and screaming into caring for his dying mother, and amidst the sudden crush of responsibility he tries to gauge the measure and worth of a man and a life.

Boat building father and son join the river patrol service and get caught-up in a spy ring.

Bosko is a soda jerk, who gives poor service to a mouse and to his former schoolteacher. Later, he must contend with Honey's bratty Wilbur.

The Professor will not allow his daughter to marry a non-musician, but Billy, her would-be suitor, cannot play a single note. When he is about to give up, Billy’s roommate suggests bluffing his way into the Professor’s favor with the aid of a suitably musical disguise and a well-hidden phonograph player.