I'm Just A Hole, Sir

Ruth Butler, a clerk in an emporium, marries Jimmy Rutledge and thereby greatly displeases his mother, the owner of the emporium, because of Ruth's lowly origins. Renaud Graham, one of Mrs. Rutledge's friends, becomes interested in Ruth, forces his way into her apartment, and attempts to make violent love to her. Jimmy walks in on their embrace and, suspecting the worst, leaves Ruth. In the family way, Ruth finds refuge in a boardinghouse where she meets Al Bryant, an aspiring writer. Ruth tells Al her life story, and he makes it into a bestselling novel and then into a play. Jimmy sees the play and comes to his senses, winning Ruth's forgiveness.

Follow a normal day in the life of three abnormal people to see what it's like to walk in another person's shoes for a day. Shot entirely in subjective camera, the audience will experience a day in the life of these three characters by hearing their internal monologue, dialog, and by seeing what they see as they go about their daily business. Since the movie is all about perception, all three characters lives intertwine in a scene that each character perceives completely different, leaving the audience to decide for themselves what really happened on this normal day. Each characters lives twist and turn as the movie progresses into a fun, yet different, cinematic adventure.

After unknowingly smoking weed laced with a highly dangerous research chemical, three friends fall into a fatal drug trip infused with feelings of guilt, euphoria, and terror.

Animated adaptation of Kir Bulychyov's sci-fi short fiction.

A woman sits alone in a bare white tiled bath, reading Georges Bataille’s ‘Story of the Eye.’ The bizarre events described in the text provoke a series of fantasies in which the room and its accoutrements become the stage and the woman the main player. As her dreams unfold in the liquid medium of the bath, she becomes the ‘eye’ of the story and her own body the object of its gaze. With a feminine hand, THE STORY OF I plucks Bataille’s central metaphor from its original context and re-invents its erotic vision from the inside out. The eye is the vagina, seen throught he blood, urine and tears, it looks at itself in a mirror.

Even uninhabited archipelagos may be subject to drawn out territorial disputes if they are rich in oil deposits. However, the filmmaker is more concerned with how ownership issues reverberate amongst nationalists in competing countries rather than in the history of the dispute or its resolution, making it possible to present the patriotic pathos-soaked ceremonies of the Japanese, the efforts of Chinese authorities to complicate diversionary activities, and the expressive protests and bizarre rituals of Taiwanese activists. The desire to understand the situation leads the director to participate in several futile attempts to land on the islands. Although he finds himself on the frontline during an escalation in the conflict, he is able to maintain his distance as an impartial observer.

Through seven scenes, the film follows the life and destinies of stray dogs from the margins of our society, leading us to reconsider our attitude towards them. Through the seven “wandering” characters that we follow at different ages, from birth to old age, we witness their dignified struggle for survival. At the cemetery, in an abandoned factory, in an asylum, in a landfill, in places full of sorrow, our heroes search for love and togetherness. By combining documentary material, animation and acting interpretation of the thoughts of our heroes, we get to know lives between disappointment and hope, quite similar to ours.

3 young women encounter car trouble on the way to a Dragonsclaw concert during a rainstorm. They are forced to go seek help, where one by bloody one they are attacked by a masked maniac and hung on meathooks. Who will survive and what will be left of them?

Many people believe that ghosts are real, and that these beings truly exist - though there is not a single mention of their existence in the sacred pages of the noble Al-Quran. However, the holy texts of the Al-Quran warn us about the negative influences from demons, devils and spirits. In the film “Jin”, we reinvestigate the disturbances that we encounter which are commonly associated to ghosts and such. “Jin” is a classic horror film that revolves around a young married couple: Syafiq and Lily. Syafiq is a business owner who strives to improve his family’s quality of life by buying a house for his beloved wife. Lily, upon seeing a place that is spacious and beautiful, immediately falls in love with it. What this couple doesn’t realize however, is that the house has a history of changing hands often and has stories of serious disturbances.

The Oedipus Project is an innovative new digital initiative by Theater of War Productions that will present acclaimed actors performing scenes from Sophocles’ Oedipus the King as a catalyst for powerful, healing online conversations about the impact of the COVID-19 pandemic upon diverse communities throughout the world. Sophocles’ ancient play, written and performed in 429 BC during the time of a plague that killed one-third of the Athenian population, is a timeless story of arrogant leadership, ignored prophecy, and a pestilence that ravages the city of Thebes. At the time the play was first performed, the audience would have been reeling in the wake of a pestilence and its economic, political, and social aftermath. Seen through this lens Oedipus the King appears to have been a powerful public health tool for helping Athenians communalize the trauma of the plague, through a story that is as relevant now as it was in its own time.

A new documentary on the Criterion Collection edition of Roman Polanski's 1971 adaptation of Macbeth featuring interviews with the director, producer Andrew Braunsberg, assistant executive producer Victor Lownes, and actors Francesca Annis and Martin Shaw.