Bring Her to Me

Bio-documentary about revered avant-garde music composer, and electronic music pioneer, Morton Subotnick. Through a series of candid interviews and illuminating conversations with key figures from his past and present, "Subotnick" provides an overview of this fascinating composer’s rich life and uncompromising career.

3 young women encounter car trouble on the way to a Dragonsclaw concert during a rainstorm. They are forced to go seek help, where one by bloody one they are attacked by a masked maniac and hung on meathooks. Who will survive and what will be left of them?

A money transporter is ambushed near the small Eifel village of Eschbach. The young LKA chief inspector Lona Schanz then determined in the village and its surroundings.

In 1588, a castaway from the Spanish Armada, sent from Portugal by Philip II of Spain to conquer England, is captured on an Irish beach. There he is tried, declared guilty and hanged to death. All of this would be reasonable according to the laws of war and hatred among humans. The problem is the prisoner is a monkey.

Fidel, an Asturian miner, after the closure of the mine where he works, decides to walk to Madrid with his family, to ask the king why the Constitution is not met, specifically the article that points out that all the Spanish citizens have the right to have a decent work. Will the king receive him?

January 1964, the author of the novel Tiempo de silencio, Luis Martín-Santos, dies in a tragic car crash. On the 60th anniversary of the accident and the 100th year since his birth, we follow his children on a voyage to reconstruct the writer, the psychiatrist, the man behind the work that turned him into a literary promise. A journey through the figure of Martín-Santos, his peculiar view of post-war Spain and his work hidden for years based on partly unpublished texts.

A crime movie directed by Rudolf Jugert.

When Su-san invites his late friend's daughter to come along on a fishing trip, she falls in love with Hama-chan's fishing protégé.

A woman sits alone in a bare white tiled bath, reading Georges Bataille’s ‘Story of the Eye.’ The bizarre events described in the text provoke a series of fantasies in which the room and its accoutrements become the stage and the woman the main player. As her dreams unfold in the liquid medium of the bath, she becomes the ‘eye’ of the story and her own body the object of its gaze. With a feminine hand, THE STORY OF I plucks Bataille’s central metaphor from its original context and re-invents its erotic vision from the inside out. The eye is the vagina, seen throught he blood, urine and tears, it looks at itself in a mirror.

Just as he is about to go on stage, Max receives a phone call from Philippe who announces his presence in the room. As soon as he hangs up, the actor collapses. Max will then have to draw on his game to face this man. But will he dare to confront him at the end of the show?

Portrait of a troubled peasant family. The film tells the story of two times widow Anna Belova who lives together with her brother Mikhail. Blending the two personalities, Kosakovsky characterizes the true Russian soul: she is the rational worker, honest and strong - he is the drunken poet, the idealist, his philosophy fades into radical nonsense time after time.