Encounters at the End of the World

Werner Herzog's exploration of the Internet and the connected world.

This film documents the coal miners' strike against the Brookside Mine of the Eastover Mining Company in Harlan County, Kentucky in June, 1973. Eastovers refusal to sign a contract (when the miners joined with the United Mine Workers of America) led to the strike, which lasted more than a year and included violent battles between gun-toting company thugs/scabs and the picketing miners and their supportive women-folk. Director Barbara Kopple puts the strike into perspective by giving us some background on the historical plight of the miners and some history of the UMWA. Preserved by the Academy Film Archive in partnership with New York Women in Film & Television in 2004.

Filling the giant screen with stunning time-lapse vistas of Antarctica, and detailing year-round life at McMurdo and Scott Base, Anthony Powell’s documentary is a potent hymn to the icy continent and the heavens above.

British documentarian Nick Broomfield creates a follow-up piece to his 1992 documentary of the serial killer Aileen Wuornos, a highway prostitute who was convicted of killing six men in Florida between 1989 and 1990. Interviewing an increasingly mentally unstable Wuornos, Broomfield captures the distorted mind of a murderer whom the state of Florida deems of sound mind -- and therefore fit to execute. Throughout the film, Broomfield includes footage of his testimony at Wuornos' trial.

During the 1982 Cannes Film Festival, Wim Wenders asked a number of global film directors to, one at a time, go into a hotel room, turn on the camera, and answer a simple question: "What is the future of cinema?"

I AM is an utterly engaging and entertaining non-fiction film that poses two practical and provocative questions: what’s wrong with our world, and what can we do to make it better? The filmmaker behind the inquiry is Tom Shadyac, one of Hollywood’s leading comedy practitioners and the creative force behind such blockbusters as “Ace Ventura,” “Liar Liar,” “The Nutty Professor,” and “Bruce Almighty.” However, in I AM, Shadyac steps in front of the camera to recount what happened to him after a cycling accident left him incapacitated, possibly for good. Though he ultimately recovered, he emerged with a new sense of purpose, determined to share his own awakening to his prior life of excess and greed, and to investigate how he as an individual, and we as a race, could improve the way we live and walk in the world.

The subject of the film was the Hauka movement. The Hauka movement consisted of mimicry and dancing to become possessed by French Colonial administrators. The participants performed the same elaborate military ceremonies of their colonial occupiers, but in more of a trance than true recreation.

Helvetica is a feature-length independent film about typography, graphic design and global visual culture. It looks at the proliferation of one typeface (which will celebrate its 50th birthday in 2007) as part of a larger conversation about the way type affects our lives. The film is an exploration of urban spaces in major cities and the type that inhabits them, and a fluid discussion with renowned designers about their work, the creative process, and the choices and aesthetics behind their use of type.

In the slum of Cité Soleil, President Aristide's most loyal supporters were ruling as kings. The five major gang leaders were controlling heavily armed young men; the Chiméres. The Secret army of President Jean-Bertrand Aristide. "Ghosts of Cité Soleil" is a film about Billy and Haitian 2pac. Two brothers. Gang Leaders of the Chiméres.

Shouyou Hinata, after losing to Kitagawa Daiichi Junior High's setter Tobio Kageyama in his first official volleyball match, transfers to Karasuno High, intent on finally having a proper volleyball team and getting his revenge on Kageyama. Upon arrival at Karasuno, however, Hinata finds out Kageyama has also gone to Karasuno. Initially at odds with each other, the two form an oddball combination and fight together with the other members of the volleyball club. Karasuno reunites with a former rival school, Nekoma High, in a practice match and reignites their school rivalry.

In a town not so far away and a time not so long ago, baby Rose was left on the porch of Greenwoods Orphanage, where Mrs. Hartley and the children under her tender care become her family. But when tragedy strikes, Rose loses the only home she has ever known and she is abruptly shipped to Irongates—a place that seems as cold and cruel as her previous home was kind. Strict headmaster Mr. Crampton immediately seems to dislike Rose and makes sure she and the other children are punished for any minor infraction of his rules. Rose soon makes friends with Emily, but in spite of her gentle and forgiving nature, some of the children will take any chance they can to get her into trouble. When she learns that every Christmas Mr. Crampton’s generous brother gives an orange to each child, Rose waits in eager anticipation.

A film that describes the love-hate relationship between Werner Herzog and Klaus Kinski, the deep trust between the director and the actor, and their independently and simultaneously hatched plans to murder one another.