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The action takes place in 1920 during the Civil War. Crimea on the eve of complete liberation from the White Guards. Returning from patrol, the four brave “elusive” knocked down an airplane. In the field bag of the captured pilot, they find a secret report, which speaks of the existence of defensive fortifications around the coastal city, which the Reds have yet to take. Young heroes get the task to get a map of fortifications and go to the city...

With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.

Stanley is a bellboy at the Fountainbleau Hotel in Miami Beach, where he performs his duties quietly and without a word to anyone. All he displays are facial expressions and a comedic slapstick style. And anything that can go wrong, does go wrong when Stanley is involved. One day, Jerry Lewis arrives at the hotel and some of the staff notice the striking resemblance.

A black cloud travels across country, kills animals and plants and dries up the rivers. When the cloud reaches Fantaghiro's kingdom she meets Prince Parsel who follows the cloud to get his stolen castle back. After her castle vanishes, too, Fantaghiro joins Parsel on his journey to find her home, her people, her family and her love.

Cartoon Network holds an awards show awarding cartoon excellence.

François and Charlotte directed together a gourmet hotel and restaurant on the edge of the sea, but their marital relationship is not fixed beauty: obsessive hard, Francis wants his first star in the Michelin Guide while Charlotte, at the dawn of the quarantine, dreams of a first child. This already complicated situation will literally explode the day where Charlotte's first husband, Alex, disembarked in their lives while everyone believed him dead in the terrible tsunami of 2004...

Along with her husband and three children, Marthe lives in an eden of her own creation, nearly isolated from the rest of the world. The arrival of a construction vehicle, however, pierces their tranquil, hermetic existence—before long a disused highway has been re-opened, and the family finds their home situated in the midst of rush-hour traffic. While the privileges of clean air, quietude and privacy are thus denied them, Marthe remains determined to stay no matter the cost.

A man named Seligman finds a fainted wounded woman in an alley and he brings her home. She tells him that her name is Joe and that she is nymphomaniac. Joe tells her life and sexual experiences with hundreds of men since she was a young teenager while Seligman tells about his hobbies, such as fly fishing, reading about Fibonacci numbers or listening to organ music.

Eddie, Dov, Yvan and the others ... Our warm friends have migrated from the moribund Sentier to the flourishing suburb of Aubervilliers ... Where the old Jewish entrepreneurs left the ground to young courageous and dynamic Chinese wholesalers ... The little band is as close to each other as in previous episodes, and life goes on at the mercy of small family events and business. Dov still seems frivolous, enterprising Eddie, chilled Yvan, casual Karine, resolute Sandra, naive Chochana, irresponsible Serge and mythomaniac. As for Patrick, he is in love and the happy elected is far from easy to access. Everything would be fine until a bad wind brings its share of adversity seriously compromising the cohesion of the group. Will they succumb under the storm to the turmoil, or, once again, by mutual aid, cunning and skill, will they triumph over the crisis with panache?

A group of friends meet after some years apart and decide to go on a treasure hunt.

The Red Mountain Tribe hangs out in my backyard. "Lipton's lovely home movie PEOPLE, in its affection for valuable inconsequential gestures, indicates in the course of its three minutes why there has to be a continuing alternative to the commercial cinema." – Roger Greenspun, The New York Times

Asa is a film which tries to show the confrontation between the dance of a body, the gesture of filming, editing, and moreover, between the sensitive surface of the film and the texture of skin in light.