A Man Escaped

In late 19th century Tokyo, Kikunosuke Onoue, the adopted son of a legendary actor, himself an actor specializing in female roles, discovers that he is only praised for his acting due to his status as his father's heir. Devastated by this, he turns to Otoku, a servant of his family, for comfort, and they fall in love. Kikunosuke becomes determined to leave home and develop as an actor on his own merits, and Otoku faithfully follows him.

The strength of a couple's fascination with airplanes and flight is to the detriment of their family.

Under the sun, the heavenly beauty of grasslands will soon be covered by the raging dust of mines. Facing the ashes and noises caused by heavy mining , the herdsmen have no choice but to leave as the meadow areas dwindle. In the moonlight, iron mines are brightly lit throughout the night. Workers who operate the drilling machines must stay awake. The fight is tortuous, against the machine and against themselves. Meanwhile, coal miners are busy filling trucks with coals. Wearing a coal-dust mask, they become ghostlike creatures. An endless line of trucks will transport all the coals and iron ores to the iron works. There traps another crowd of souls, being baked in hell. In the hospital, time hangs heavy on miners' hands. After decades of breathing coal dust, death is just around the corner. They are living the reality of purgatory, but there will be no paradise.

A love story that follows the maneuverings of a society lady as she connives to initiate a scandalous affair between her aristocratic ex-lover and a prostitute.

The film is based on the true story of Special Operations Executive French-born agent Odette Sansom, who was captured by the Germans in 1943, condemned to death and sent to Ravensbrück concentration camp to be executed. However, against all odds she survived the war and testified against the prison guards at the Hamburg Ravensbrück Trials. She was awarded the George Cross in 1946; the first woman ever to receive the award, and the only woman who has been awarded it while still alive. (From Wikipedia, licensed under CC-BY-SA)

A husband and wife lie to each other about their weekend travel plans, only to both show up at the family's country house with their lovers.

Birger is old and retired from work, but he still goes back to work since he has nothing else to do. Back home he gets a rare visitor: a girl from Hare Krishna recruiting new members.

25 year-old Hippo doesn't have a job, doesn't study either but lives from the money his younger brother earns with dealing and from occasional Poker winnings.

A man is delighted to hear that his wife is pregnant and he begins to prepare for the wonders of fatherhood. As time progresses along, the family grows larger with each successive child and the father feels his importance in the family has been lessened with all the children. This man's quiet desperation to hold onto his position is an interesting lesson in the family dynamic and how everyone is an important part of the whole.

In 1963, accompanied by a newsreel photographer and a Catholic priest, Piero Paolo Pasolini traveled to Palestine to investigate the possibility of filming his biblical epic The Gospel According to Matthew in its approximate historical locations. Edited by The Gospel‘s producer for potential funders and distributors, Seeking Locations in Palestine features semi-improvised commentary from Pasolini as its only soundtrack. As we travel from village to village, we listen to Pasolini’s idiosyncratic musings on the teachings of Christ and witness his increasing disappointment with the people and landscapes he sees before him. Israel, he laments, is much too modern. The Palestinians, much too wretched; it would be impossible to believe the teachings of Jesus had reached these faces. The Gospel According to Matthew was ultimately filmed in Southern Italy. Mel Gibson would use some of the same locations forty years later for The Passion of the Christ.

Ambassador Joseph Davies is sent by FDR to Russia to learn about the Soviet system and returns to the US as an advocate of socialism.

Eleven year old Ho'onani dreams of leading the hula troupe at her inner-city Honolulu school. The only trouble is that the group is just for boys. She's fortunate that her teacher understands first-hand what it's like to be 'in the middle' - the ancient Hawaiian tradition of embracing both male and female spirit. Together they set out to prove that what matters most is to be true to yourself.