Night Moves

In 1800, Brittany is on its knees, overwhelmed by the regime in place and by the omnipotent clergy. It founders in an economic slump without end in sight and, in the middle of all this, a young, suffering girl pushes back as best she can. She is known as the "Poisoning Angel," an isolated child, mistreated by life and rocked by morbid thoughts. She will become one of the world's most notorious serial killers and will sow death, perhaps merely to be looked at and loved.

War erupts between dirty cops and outlaw bikers as a drug kingpin tries to protect his empire.

A teenage boy's infatuation with a woman he sees on the bus further complicates his already tumultuous adolescence.

A French nobleman deserts his wife because of an ancient family secret.

A biography of the civil-rights activist and labor organizer Cesar Chavez. Chronicling the birth of a modern American labour movement, Cesar Chavez tells the story of the famed civil rights leader and labour organiser torn between his duties as a husband and father and his commitment to securing a living wage for farm workers. Passionate but soft-spoken, Chavez embraced non-violence as he battled greed and prejudice in his struggle to bring dignity to working people.

A dozen foreigners are kidnapped by a terrorist group in the Philippines.

The story of a family of meerkats living in the Kalahari Desert in South Africa.

Jennifer, Where Are You? is structured by a speech-act, a constant proleptic call, a man’s voice which has been edited and recut into a repetitive and pervasive presence. The insistence of this male voice, which repeats the phrase “Jennifer! Where are you?” every 30 seconds, parodies the authority conceded to voice-overs in the cinema. The voice is patriarchal, relentless, and runs the entire length of the film. Cut-aways to a small girl, glancing at the camera as she plays with lipstick and matches, reapportion the relation between patriarchal phonocentrism and masculine gaze. But is this small child subject to either? No. Not really. There she is, hiding in plain sight–ours, not ‘his’–a ‘purloined subject’ successfully evading subjugation through response or acquiescence. ‘Jennifer,’ whoever she might be (a cipher, a pseudonymous textual marker of gendered cinematic presence) is never apprehended, and the film, for all of its suspense, simply ends.

When Lena coerces her husband, Crutch, to betray, Kane, best friends become sworn enemies. Locked in a deadly battle of mind games, nothing is as it seems, so make your next move your best move, because it could be your last.

Ebba is a lonely 18-year-old who finds a wounded man in the Oslo harbour. When she discovers he has amnesia, she lies and tells him they are lovers.

Angela is throwing a decadent Halloween party at New Orleans' infamous Broussard Mansion. But after the police break up the festivities, Maddie and a few friends stay behind. Trapped inside the locked mansion gates, the remaining guests uncover a horrifying secret and soon fall victim to seven vicious, blood-thirsty demons.

Soon to be a father, Mark feels the pressure of domestic responsibility closing in, so he is more than happy to accept when his old friend Kurt proposes a camping trip in the Oregon wilderness. During their time together, the men come to grips with the changes in their lives and the effect on their relationship.