Chouchou

Eddie, Dov, and Yvan are back, still working in Paris' Sentier textile district, This time they're confronting the high-stakes world of large distribution after striking a deal with Eurodiscount, a European hypermarket chain.

Six jeunes en difficulté de la banlieue parisienne débarquent au fin fond de la campagne française, escortés par leur éducateur. Ils doivent montrer leur bonne volonté en effectuant des travaux d'intérêts généraux décidés par la pétillante juge d'application des peines, qui veut ainsi leur donner une dernière chance. Entre le portable vissé à l'oreille de l'un, le pit-bull de l'autre ou encore les prières musulmanes du troisième, ces adolescents vont bouleverser la vie paisible du petit village.

Three women in their late thirties, one with marital problems, one trying to be perfect, and a spinster, discuss their relationship to men.

Irrepressible French comedian Fadily Camara weaves jokes, vivid characters and physical comedy into a lively stand-up show at La Cigale in Paris.

Jahwad is thirty years old and going nowhere fast. He flunked out of school, and slipped into petty crime. Now, he has the police on his tail. So Jahwad is no longer going nowhere, he is getting out of town as fast as he can. He hitches a ride with a schoolteacher, who is desperate at being posted to one of the toughest high schools in the Paris suburbs. The man is so frantic, he rams his car into a tree. For Jahwad, the opportunity is too good to miss, but the high school dropout hardly looks the part.

Pierre has four months left to live if he does not find a new liver. His only hope is a transplant from his brother, Paul. But Pierre hates Paul and has refused to see him for the past ten years. They are different in every aspect : their way of life, their tastes. Nevertheless, Marie, Pierre's fiancee, is determined to reconcile the two men. A love-hate relationship develops, disrupting the trio, recomposing the couples and even going so far as to change their personalities. After a few too many drinks and a bit of fooling around, the settling of scores between the two brothers will come to a surprising end.

Lukas is Sugar, Clemens is Orange. Together, they are two ten-year-old boys who are inseparable. More than just playmates, they share a unique bond which seems predestined to last a lifetime. Until, that is, powerful emotions come to the fore and a misunderstanding leads to a rift which tears both them and their world apart. Twenty years later, Lukas is still terrified of being abandoned. He survives by forming loose relationships which don't threaten him. Then one day he meets Lena who turns his feelings upside down and awakens his inner child, the one still searching for unconditional friendship. While there is never a guarantee of security, there is a bond of trust, and through Lena, Lukas again makes contact with Clemens. After years of silence, they are finally able to exorcise their ghosts in an explosion of emotion.

Coco is a French comedy released in 2009 and produced by Gad Elmaleh. This is the first embodiment of the actor, adapted from a sketch in the show La Vie Normale. Coco talks about organizing a Bar Mitzvah.

FBI Agents Bullit and Riper investigate the murder of a young dancer called Pamela Rose, found dead in her motel room in Bornsville, a small american town. Despite their differences, they must team up: the local police is hostile and they can only count on themselves to solve the crime. They meet Ginger, Pamela's best friend, and discover soon enough she knows more than she says.

Louise, who has just written a novel, comes to Paris to meet with a potential publisher. While in the city, she stays with her older sister, Martine, who in many ways is the exact opposite of Louise: she lives in a fashionable neighborhood, is cold to others, and has snobby friends, while Louise lives in a small town and is thoroughly unpretentious. Louise's apparent happiness -- and similarities to their mother -- gradually gets on Martine's nerves.

Caught by tabloid paparazzi with his mistress Elena, a famous and beautiful fashion model, billionaire Pierre Levasseur tries to avoid a divorce by inventing a preposterous lie. He uses the presence of a passerby in the photo to claim to his wife that it's not him Elena is seeing but the other man, one François Pignon. Pignon is a modest little man who works as a parking valet. To make the story convincing, Elena has to move in with Pignon.