Dominique

A young woman inherits her grandmothers home, despite never having met her and never been to her house. Her mother tells her to make a journey to her grandmothers home as a way to deal with grief, but she gets more than she bargained for.

A woman and her lover murder her husband, a doctor. Soon, however, strange things start happening, and they wonder if they really killed him, or if he is coming back from the dead to haunt them.

3 young women encounter car trouble on the way to a Dragonsclaw concert during a rainstorm. They are forced to go seek help, where one by bloody one they are attacked by a masked maniac and hung on meathooks. Who will survive and what will be left of them?

January 1964, the author of the novel Tiempo de silencio, Luis Martín-Santos, dies in a tragic car crash. On the 60th anniversary of the accident and the 100th year since his birth, we follow his children on a voyage to reconstruct the writer, the psychiatrist, the man behind the work that turned him into a literary promise. A journey through the figure of Martín-Santos, his peculiar view of post-war Spain and his work hidden for years based on partly unpublished texts.

Judith decides to go on her own to the salsa-dancing night, even though her boyfriend, with whom she goes there every week, can’t accompany her. A stranger, with whom she briefly dances, offers to walk her home. Next morning, upon returning home, Judith refuses at first to accept that she’s a rape victim, but in the end decides to go to a doctor and press charges - which prove inadequate to have the rapist convicted. Under the influence of sweeping bodily and mainly psychological oscillations, Judith decides she has to follow an unorthodox path in order to prove the perpetrator’s guilt.

Camil, a writer who suffers from a psychological block, stops feeling her partner. He focuses his energy on his latest book called "She Was Always There" and becomes obsessed between his writings and Bhela. Until they meet again underwater.

Virtuoso Afro-Cuban-born brothers—violinist Ilmar and pianist Aldo—live on opposite sides of a geopolitical chasm a half-century wide. Tracking their parallel lives in New York and Havana, their poignant reunion, and their momentous first performances together, Los Hermanos/The Brothers suggests what is possible when walls come down, and borders are crossed. A nuanced, intensely moving view of nations long estranged, through the lens of music and family. Featuring an electrifying, genre-bending score composed by Cuban Aldo López-Gavilán, performed with his American brother, Ilmar, with a guest appearance by violin maestro Joshua Bell and the Harlem Quartet.

Two mismatched friends, students, each in their own way troubled by life, travel one day to a nearby beach, invoking a sort of playful innocence long believed spent along with their childhoods, in the hopes that doing so will restore both of their happiness. Alas, life seldom works out that way.

When Su-san invites his late friend's daughter to come along on a fishing trip, she falls in love with Hama-chan's fishing protégé.

Set one year after drama series "Overprotected Kahoko." Kahoko is busy running her daycare center "Kahoko House" and also doing housework. Things at work and home are not going smoothly. "Kahoko House" is in financial difficulties and she isn't very good with housework. Her relationship with her husband Hajime is troubled and his career as a painter has been unsuccessful to date. Can Kahoko turn things around?

After a recruiter sees him winning a bar fight, Tyler Verdiccio is kidnapped and thrown into an abandoned industrial complex which has been converted into the arena. Along with his lover, Jordan, and another kidnapped man, Verdiccio is hunted by mercenaries in a televised death duel which is the main event for a multi-million dollar gambling racket.