Godzilla, King of the Monsters!

The advertising director of Pacific Pharmaceuticals, frustrated with the low ratings of their sponsored TV program, seeks a more sensationalist approach. He orders his staff to Faro Island to capture King Kong for exploitation. As Godzilla re-emerges, a media frenzy generates with Pacific looking to capitalize off of the ultimate battle.

Japan is thrown into a panic after several ships are sunk near Odo Island. An expedition to the island led by Dr. Kyohei Yamane soon discover something far more devastating than imagined in the form of a 50 meter tall monster whom the natives call Gojira. Now the monster begins a rampage that threatens to destroy not only Japan, but the rest of the world as well.

A prehistoric monster called Gigantis emerges alongside another creature named Angurus.

Originally released in Japan as "The Return of Godzilla" in 1984, this is the heavily re-edited, re-titled "Godzilla 1985". Adding in new footage of Raymond Burr, this 16th Godzilla film ignores all previous sequels and serves as a direct follow-up to the 1956 "Godzilla King of the Monsters", which also featured scenes with Burr edited into 1954's "Godzilla". This film restores the darker tone of the original, as we witness the nuclear destruction of giant lizard terrorizing Japan.

Stranded in Egypt, Bud and Lou find themselves in the buried tomb of a living mummy.

On an autumn night, in the deserted streets of a seaside town, Sara is fleeing from a party, convinced she has witnessed a murder. He finds refuge with Veronica, but does not know that the woman is the lawyer of an important industrialist, the alleged murderer.

A re-edited Italian-language dubbed version of the original Godzilla, using as a basis the U.S. version, "Godzilla, King of the Monsters!" (1956), plus WWII newsreel footage and clips from other science fiction films. The re-edited film was then colorized via a process called "Spectrorama 70" consisting of applying various colored gels to the black and white footage. The film's opening and ending also features new music composed by musicians Fabio Frizzi, Franco Bixio, and Vince Tempera (under the pseudonym Magnetic System).

When the terrible 1960 earthquake hit Agadir, the local cinema Salam was showing Ishiro Honda and Terry O. Morse’s Godzilla, King of Monsters! Weirdly enough, it was also one of the few buildings to survive the tragedy. Many years later, Gilles Aubry visits the place trying to understand how the memory of the seismic event has survived and is transmitted to the new generations. Shot inside the cinema and in the surroundings of Agadir, the film is driven by an abstract soundtrack recorded on location.

They roam the Earth, destroying its cities and crushing its inhabitants. But where did they come from? This documentary traces the history of giant monsters in movies using scenes from sources as varied as Godzilla, King Kong and Daffy Duck and the Dinosaur. Bonus features include "Godzilla Rap," highlights from the 1920s silent classic The Lost World and the famous animated short Bambi Meets Godzilla.

After being thrown out of medical school for ethical violations, Dr. Peter Blood returns home to a small Cornish village, where he sets up a research laboratory in a secluded cave. There, he attempts to revive the dead, using kidnapped humans -- who he views as unworthy of life -- for their body parts, specifically, their hearts.

A young psychiatrist applies for a job at a mental asylum and must pass a test by interviewing four patients. He must figure out which of the patients, is in fact, the doctor that he would be replacing if hired.

When an underhanded pharmaceutical company goes to a remote tropical island to steal King Kong for advertising purposes, they get more than they bargained for when the gigantic ape attacks an unsuspecting village and an enormous octopus.