4 Months, 3 Weeks and 2 Days

It's the 22nd of December. Sixteen years have passed since the revolution, and in a small town Christmas is about to come. Piscoci, an old retired man is preparing for another Christmas alone. Manescu, the history teacher, tries to keep up with his debts. Jderescu, the owner of a local television post, seems not to be so interested in the upcoming holidays. For him, the time to face history has come. Along with Manescu and Piscoci, he is trying to answer for himself a question which for 16 years has not had an answer: "Was it or wasn't it a revolution in their town?"

Composed of six unconventional vignettes, each one dealing with the late communist period in Romania, a narrative is told through its urban myths from the perspective of ordinary people. The title refers to the alluded "Golden Age" of the last 15 years of Ceauşescu's regime.

In pre-WWII Holland, the penniless, illegitimate son of a powerful bailiff sets out to become a lawyer as he spends a lifetime struggling to prove his worth to his relentlessly spiteful father.

Wisecracking reporter Carl Kolchak investigates a string of murders in Las Vegas and suspects the culprit is a vampire. His editor thinks he's crazy and the police think he's a nuisance, so Kolchak takes matters into his own hands.

In 1975, the long slog of civil war has recently begun in Beirut. Two friends, Tarek and Omar, suffer during the Lebanese civil war. Conflicts arise when they decide to cross from West to East, crossing the Muslim-Christian line that divides Beirut.

An outspoken boy and a gunfighter-pimp save a drifter's life from hanging. The boy's uncle dies, leaving a house and some dry, useless land to the boy. The dying uncle has obtained the drifter's promise to help the boy get what is his. Meanwhile the gunfighter has decided that the drifter should marry his daughter after being with her previously. The two get into a series of brawls and shoot-outs until they arrive in the town and find the boy's inheritance -which turns out not to be as useless as it first appears.

A dramedy about relationships and fidelity, or the lack thereof. A group of old high school friends, now in their late thirties, get together for the weekend to celebrate the 4th of July, for better or for worse.

A radio-show assistant meets a budding screenwriter during a group-therapy session for sex addicts.

"Occident" is a bitter comedy about the people who want to emigrate from Romania, and about those who stay behind. The movie has a rich, interesting structure: there are three different stories - a weeklong in the film - that cross, interconnect and happen in the same period. The characters influence each others lives, sometimes even without knowing. Main characters from one story become secondary characters in another story. At the same time, scenes from the first part of the movie bring unexpected facts when seen the second or the third time. The stories do not have just one ending: the first story ends in each of the third parts in a different point, suggesting radically different solutions for the characters. The way in which the director fits time and links events together often produces thematically unexpected results.

Majime, an eccentric man in publishing company, who has unique ability of words, joins the team that will compile a new dictionary, The Great Passage. In the eclectic team, he becomes immersed in the world of dictionaries. But the team is overwhelmed with problems.

Kiichi Nakajima, an elderly foundry owner, is convinced that Japan will be affected by an imminent nuclear war, and resolves to move his family to safety in Brazil. His family decides to have him ruled incompetent and Dr. Harada, a Domestic Court counselor, attempts to arbitrate.

Adi (40), a shy and introverted anthropologist who got recently dumped by his girlfriend, moves to Ferentari, most notorious outcasted neighborhood in Bucharest. He wants to write a study on manele music. The pop music of the Roma community serves as a way out for some, but mostly as one more means for the mafia pimps to make money off their acts and keep them in slave-like dependency. While researching his subject, Adi meets Alberto, a Roma ex-convict and a bear of a man, who promises Adi to help him. Soon, the unlikely pair begins a playful romance in which Adi feeds Alberto with improbable plans of escaping poverty and Alberto reciprocates with well-concocted phrases of love. Little by little their casual affair grows into love. And the funny and sweet teasing turns into something precarious, since Alberto is both dangerous and fragile and belongs to a world whose codes Adi doesn't understand.