Children of Heaven

In the late 1960s, Dhofar rose up against the British-backed Sultanate of Oman, in a democratic, anti-imperialist guerrilla movement. Director Heiny Srour and her team crossed 500 miles of desert and mountains by foot, under bombardment by the British Royal Air Force, to reach the conflict zone and capture this rare record of a now mostly-forgotten war.

A recording engineer falls for a radio announcer after they work together to capture sounds of the natural world.

Mohammad joyfully returns to his tiny village on summer vacation from the Institute for the Blind, unaware of his widowed father's intentions to disown him in order to win the hand—and dowry—of a local woman. With the wedding swiftly approaching, Mohammad's future hangs precariously in the balance as his father struggles against his destiny, unable to see the wonder of life and love that's so clear to his son.

What appears to be a grand love story turns sour when parents-to-be discover that their unborn child will likely be born with serious birth defects, as a result of the mother's exposure to chemical weapons during the Iran-Iraq war. The father does not want to have a disabled child, but the mother insists on going through with the pregnancy.

Kate is secretly betrothed to a struggling journalist, Merton Densher. But she knows her Aunt Maude will never approve of the match, since Kate's deceased mother has lost all her money in a marriage to a degenerate opium addict. When Kate meets a terminally ill American heiress named Millie traveling through Europe, she comes up with a conniving plan to have both love and wealth.

Sicily, Granitola, 1955. At the first light of dawn, the fishermen set out in their boats for open water, timing the rhythm of their oars to murmured chants. They set their nets in the sea, regulate the cords, organize the boats in a square. The men’s work becomes increasingly harder as the tuna are hoisted onto the boats, wriggling, beating their tails until death arrives and the water is tinged with blood.

Meena, a 12-year-old living in a mining village in the English Midlands in 1972, is the daughter of Indian parents who've come to England to give her a better life. This idyllic existence is upset by the arrival in the village of Anita Rutter and her dysfunctional family.

A class-divided friendship goes through highs and lows through several decades.

After a hurricane levels his city, a young man wanders into a mysterious library where books literally come to life. This film won the Oscar for Best Animated Short Film in 2012.

The grind of daily life as a Brick Lane Bangladessi as seen through the eyes of Nazneen (Chatterjee), who at 17 enters an arranged marriage with Chanu (Kaushik). Years later, living in east London with her family, she meets a young man Karim (Simpson).

The film celebrates the survival of the human spirit against overwhelming odds and highlights the need for underprivileged children's education. Its a film based on former indian president A.P.J. Abdul Kalam and is aimed at inspiring the poor to educate their children. Written by DaGambit Chhotu's peasant village is ruined by drought, so his ma drops the boy with uncle Bhati, who runs a tea stand at the city outskirts. Clever Chottu, who calls himself Kalam after the self-made Indian president, soon outsmarts uncle's adult assistant and makes friends with the loneliest boy in the palace, now a hotel, a prince his age.

German photographer Daniel Bert, who comes to Istanbul to do photo shoots, meets Can, who is a zenne at a nightclub, and Ahmet, who comes from a conservative eastern family.