Rojo orgásmico

Mark, a hitman haunted by his past as a corrupt Miami cop and the death of his wife and son, prepares for his next killing. Gradually he becomes fascinated by the beautiful prostitute who lives in the next apartment and they embark on a passionate affair. Their dreams of a life together are complicated by her pimp being a drugs baron; before they can escape he must die, but things are never that simple...

Carpenter Sergio runs away and hides in a closet after his boss fired him. When the closet arrives at its buyer's house, he decides to stay there, hiding in his new home living with an unknown family.

When a hostage rescue mission creates a new enemy, Capt. Guerrero and his elite soldiers must face an ambush by a criminal group.

Using each other as alibis, two friends sneak off to indulge in secret affairs — but their elaborate web of lies unravels when one of them goes missing.

The Driver now carries an arrogant rock star who is visiting a major city. Played by Madonna, this title character wants to get away from her bodyguards in the Driver's BMW. He soon gets tired of her and decides to have a bit of fun.

When a fashion employee thinks she will have to end her promising career after getting pregnant, her boss offers to adopt the child.

A bureaucrat interviews five souls to decide which of them will be given a life on Earth. But he soon faces an existential challenge of his own.

Six vignettes pit an assortment of characters against each other in everyday situations.

People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.

Winner is a brilliant young misfit from Texas who finds her morals challenged while serving in the U.S. Air Force and working as an NSA contractor. A fresh take on the traditional whistleblower thriller, the coming-of-age story follows an idealistic young woman persecuted for standing by her principles.

When a deadly mist engulfs Paris, people find refuge in the upper floors of the buildings. With no information, no electricity and hardly any supplies, Mathieu, Anna and their daughter Sarah try to survive the disaster.

A failed attempt to murder a Senator is connected to a group meeting secretly to discuss their darkest urges—to take lives.