The Aviator's Wife

In medieval Japan, a woman and her children journey to find the family's patriarch, who was exiled years earlier.

The Catholic Jean-Louis runs into an old friend, the Marxist Vidal, in Clermont-Ferrand around Christmas. Vidal introduces Jean-Louis to the modestly libertine, recently divorced Maud and the three engage in conversation on religion, atheism, love, morality and Blaise Pascal's life and writings on philosophy, faith and mathematics. Jean-Louis ends up spending a night at Maud's. Jean-Louis' Catholic views on marriage, fidelity and obligation make his situation a dilemma, as he has already, at the very beginning of the film, proclaimed his love for a young woman whom, however, he has never yet spoken to.

Middle-class Parisian suburbs: Blanche and Léa, office worker and student, meet and become friends. Léa is going out with Fabien, but is thinking of leaving him. Blanche falls for Léa's handsome and witty friend Alexandre, but is tongue-tied whenever she meets him. Léa goes on holiday and Blanche, still smitten with the dashing Alexandre, begins to get to know Fabien.

A lonely Parisian woman comes to terms with her isolation and anxieties during a long summer vacation.

Marion is about to divorce from her husband and takes her 15-year-old niece, Pauline, on a vacation to Granville. There, she meets an old love...

Sabine vows to give up married lovers, and is determined to find a good husband. Her best friend Clarisse introduces her to her cousin Edmond, a busy lawyer from Paris. Sabine pursues Edmond, with the encouragement of Clarisse, but Edmond does not seem very interested.

Magali, forty-something, is a winemaker and a widow: she loves her work but feels lonely. Her friends Rosine and Isabelle both want secretly to find a husband for Magali.

A grief-stricken cantor in a crisis of faith finds his world turned upside down when his grade school music teacher re-enters his life as his new adult Bat Mitzvah student. The two forlorn souls develop a special connection.

A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.

Using a faceless doll criminal reenacts a brutal crime. But surprisingly he is not the one being judged. There seems to be an odd one out in the investigative group. The film premiered in the Berlinale Short competition programme.

After dumping a bucket of water on a beautiful young woman from the window of a train car, wealthy Frenchman Mathieu, regales his fellow passengers with the story of the dysfunctional relationship between himself and the young woman in question, a fiery 19-year-old flamenco dancer named Conchita. What follows is a tale of cruelty, depravity and lies -- the very building blocks of love.

A weekend at a marquis’ country château lays bare some ugly truths about a group of haut bourgeois acquaintances.