Duck, You Sucker

The Jews of Jerusalem are driven out by their Syrian rulers. They gather their forces, and return to drive out their oppressors.

Testimonies of seven prominent photographers active in the juncture of the student movement of 1968

While on holiday in Rhodes, Athenian war hero Darios becomes involved in two different plots to overthrow the tyrannical king, one from Rhodian patriots and the other from sinister Phoenician agents.

The Man With No Name enters the Mexican village of San Miguel in the midst of a power struggle among the three Rojo brothers and sheriff John Baxter. When a regiment of Mexican soldiers bearing gold intended to pay for new weapons is waylaid by the Rojo brothers, the stranger inserts himself into the middle of the long-simmering battle, selling false information to both sides for his own benefit.

A false accusation leads the philosopher Socrates to trial and condemnation in 4th century BC Athens.

Mr. Roberts is a Navy officer who's yearning for battle but is stuck in the backwaters of World War II on a non-commissioned ship run by the bullying Captain Morton.

A tribute to Naples, this film presents six episodes: a clown exploited by a gangster, a pizza seller losing her husband’s ring, a child's funeral, a gambler beaten by a kid, a prostitute's unusual wedding, and a "wisdom seller" offering advice.

El Chuncho's bandits rob arms from a train, intending to sell the weapons to Elias' revolutionaries. They are helped by one of the passengers, Bill Tate, and allow him to join them, unware of his true intentions.

Claudio Scanna is a private in the Italian army: during his first night in a new military base he gets in a fight with senior recruits. Lieutenant Fili, Claudio's commanding officer, is denied a promotion because his superiors discover he was absent without justification during the night of the fight. Fili blames Claudio and vows to make his remaining months in the service a living hell...

After a film production wraps in Peru, an American wrangler decides to stay behind, witnessing how filmmaking affects the locals.

Documentary footage (from the 1950s) and accompanying commentary to attempt to answer the existential question, Why are our lives characterized by discontent, anguish, and fear? The film is in two completely separate parts, and the directors of these respective sections, left-wing Pier Paolo Pasolini and conservative Giovanni Guareschi, offer the viewer contrasting analyses of and prescriptions for modern society. Part I, by Pasolini, is a denunciation of the offenses of Western culture, particularly those against colonized Africa. It is at the same time a chronicle of the liberation and independence of the former African colonies, portraying these peoples as the new protagonists of the world stage, holding up Marxism as their "salvation", and suggesting that their "innocent ferocity" will be the new religion of the era. Guareschi's part, by contrast, constitutes a defense of Western civilization and a word of hope, couched in traditional Christian terms, for man's future.

At 56 years of age Mita Pantic is still only a junior clerk in his company. Another typical workday for him is starting at 6 a.m. as frustration awaits at every turn from the moment he gets up. Trying to get ready to go to work, he can barely get a turn to use the bathroom in the crowded apartment. Other members of the household are not without their frustrations either, meaning that nagging and shouting are a staple of their home life at any time of day.