Mano Po

Film opens with the mad rush of haphazard freedom as the concentration camps are liberated. Men are trying to grab food, change clothes, bury their tormentors they find alive. Then they are herded into other camps as the Allies try to devise policy to control the situation. A young poet who cannot quite find himself in this new situation, meets a headstrong Jewish young girl who wants him to run off with her, to the West. He cannot cope with her growing demands for affection, while still harboring the hatred for the Germans and disdain for his fellow men who quickly revert to petty enmities.

Luzviminda Dimagiba (Cherry Pie Picache) and her three gay sons: Oscar (Polo Ravales), Orson (John Prats) and Orwell (Jiro Manio) are back! And now they want to add a new member to their outrageous family – a cute little baby to make their new home happy and complete! But babies don’t just really just fall from heaven or can be fetched from a river, so when the Dimagibas are figuring out this dilemma, Bette (Rufa Mae Quinto) – the ditzy baby maker just came right on time to provide the answer.

In an accident the young mechanic Marco Coccia meets Cristiana. The two fall in love with one another. Cristiana confesses only later that she is a genuine princess. For Marco it is not a problem, but for Cristiana's parents it is a very big problem. The two must separate. When one evening Cristiana calls Marco and lets him know about her forthcoming wedding, Marco with the car races toward Paris and has an accident...

In the Po Valley during the 19th century, a rich girl engaged to a well-to-do farmer ends up penniless and is forced to work for her fiancé’s relatives. Peasant unrest, carried to extremes by both workers and landowners, leads to violence and tragedy.

E-po, a widowed 85-year-old grandma, lives a humdrum existence in her tiny Phuket home. Every now and then, her caretaker Fong receives a phone call from Bangkok: a reminder to check on E-po's gambling problem.

Best friends Ruth and Megan run a vintage shop in North London. One day, their lives are forever turned upside down when an abandoned time machine appears outside their shop. Mixing reality with fantasy, we explore the strange and outlandish world of The Unreason, as the girls traverse space and time sourcing items to sell.

Based on the true story of Louis "Red" Deutsch. A New Jersey bar-owner is plagued with prank phone calls that prompt him to flip into psychotic, profanity-laden rages.

Three macabre short stories about gambling, vengeance and homicide.

Spectator is one of the early masterpieces by Zwartjes. The film explicitly shows one of Frans Zwartjes’ main themes: the relationship between husband and wife. It is a relationship that is strongly marked by power and domination, sexual attraction and repulsion. It manifests itself in humiliation and abuse (such Pentimento), but also in cool eroticism or natural physicality. Zwartjes’ goal is not to explain or designate this relationship. Rather it is the subject that Zwartjes uses to describe his world. In an article on Zwartjes, filmmaker and student George Schouten compares Zwartjes to the Italian writer Alberto Moravia. For both, sex is their way of dealing with reality. It is the subject by which they define their world. And for Zwartjes, it is also the subject with which he can display and develop his cinematic talent. (eyefilm.nl)

An old man is isolated in his home. Haunted by the loss of his beloved, he embarks upon a journey to return to her.

A little girl disappears into an old wardrobe and the three friends Sveppi, Villi and Goi team up to save her. Together they have an incredible adventure taking them to new heights as they learn the true power of the magic wardrobe.

This short film follows a man lost in the woods driven by his fear of the unknown.