Paris 05:59 / Théo & Hugo

In the 1970s, the house of Plessis welcomes young pregnant minors. Even though these unborn children are the fruit of love or rape, in this institution, a single slogan: put these girls in the right way. But the day when the revolt rumbles, the mechanism fails... A story deliberately based on real events.

In 1992 – 500 years after the beginning of Spain's global empire with the discovery of America – Spain proudly presented itself to the international community as a modern, developed, dynamic country through the Olympic Games in Barcelona and the Expo in Seville. But for filmmaker Luis López Carrasco (1981, Murcia), 1992 was also the year in which the regional parliament building in Cartagena was razed during furious protests against the threatened closure of various local industries. El año del descubrimiento revives this almost forgotten history in a typical Spanish bar in Cartagena, where different generations come together to drink, eat, smoke and talk. Stories from witnesses, demonstrators and strikers from back then and discussions among younger café visitors on themes such as class consciousness, the economic crisis and the role of unions percolate to the surface amidst talk of other life issues.

Laëtitia, Roca, Nico and Naël are in a band. As per usual, they meet late afternoon before rehearsal in a vacant lot. The group will soon no longer exist; they will be forced to disband because Laetitia is moving away to study. This is the story of four young adults who do not want to say good-bye.

Orlando and Saul meet by accident. The first one is a self-confident young man, university gymnast who avoids that his HIV-positive status defines him; while Saul, on the opposite, is insecure and barely understands what having an active sexual life means. The meeting will result in a new way of seeing life, one without fear where sex is an encounter and not a way of getting away from others.

Gwen Stacy, on her way home from band practice to lunch, gets more than she bargained for after running a group of thugs. A fan film based on the Marvel Comics character.

Since 2013 more than 30,000 fighters from all over the world have joined the troops of the self-proclaimed Islamic State (Daesh) in Syria. Fighting against them as part of the YPO (Popular Protection Command) in Rojava—in the north of Syria and prevalently Kurdish—are some hundreds of Westerners. This is the story of three of them: a former American marine, an Italian anti capitalist activist, and a Swedish bodyguard.

While on a mission to locate three missing soldiers, a team of reconnaissance marines encounter a blood-spattered Iraqi stumbling through the desert. After following the distraught man into the depths of an insurgent cave, the marines make a horrifying discovery bringing them face-to-face with an ancient evil.

A story with a bit of despair: six or seven families who live in the same blocks that surround a parking lot. And they are all involved in each other’s lives.

Two young men — a Palestinian grad student and an Israeli lawyer — meet and fall in love amidst personal and political intrigue.

A naïve young tax collector for the imperial government winds up spending the night in a haunted temple. There he falls in love with a beautiful woman who, unfortunately, is dead. With the aid of a powerful Daoist Swordsman, he must defeat undead hordes, overcome a sinister Tree Demoness, and descend to the pits of hell, to fight for the spirit he loves.

Four interwoven stories about love and self-acceptance: An eleven year-old boy struggles to keep secret the attraction he feels towards his male cousin. Two former childhood friends reunite and start a relationship that gets complicated due to one of them’s fear of getting caught. A gay long lasting relationship is in jeopardy when a third man comes along. An old family man is obsessed with a young male prostitute and tries to raise the money to afford the experience.

The controversial true story of a gay activist who rejects his homosexuality and becomes a Christian pastor.