Tales from the Crypt

Evil lurks in the gloomy house at Markham Manor where a deranged Sir Edward is the chained prisoner of his brother Julian. When Sir Edward escapes, he embarks on a monstrous killing spree, determined to seek revenge on all those whom he feels have double-crossed him.

The sequel to Tales from the Crypt. Five strangers trapped in a basement vault converse about their recurring nightmares. Their stories include vampires, bodily dismemberment, east Indian mysticism, an insurance scam, and an artist who kills by painting his victims' deaths.

A field surgeon suffering from PTSD after combat in the Middle East creates a living human out of body parts in his Brooklyn lab.

A crew of interplanetary archaeologists is threatened when an alien creature impregnates one of their members, causing her to turn homicidal and murder them one by one.

A talk show hostess takes a camera crew out to an abandoned factory to investigate a purported snuff film that was made there. As she gets closer to the truth, she and her friends are subjected to a brutal nightmare.

A technician brings a frozen specimen of the original Blob back from the North Pole. When his wife accidentally defrosts the thing, it terrorizes the populace-- the local hippies, cops, drunks and bowlers must all face the Blob!

Mass hysteria breaks-out over an alleged demonic possession in an Indiana home. Zak Bagans then buys the house, sight unseen, over the phone. He and his crew soon become the next victims of the most documented case of demonic possession in US history.

After the police find Derek’s daughter brutally murdered on the beach, he vows to make the culprit suffer for his actions, even if that person is ‘part of the family.’ With careful research into the history of torture, Derek prepares himself and his basement for a week of brutal tactics that will make his daughter’s killer feel the pain that he has inflicted upon so many others. In a time when stranger danger is ever present, a single father learns that it’s the ones you trust most who have to be watched the closest.

BEAUTIFUL NOISE is an in-depth exploration of a music movement in the late twentieth century, a fascinating period when some innovative musicians mixed guitar noise into conventional pop song structures while maintaining a philosophy of letting the music speak for itself. Although many of the people interviewed are notoriously press shy they have opened up about their music and experiences from over 20 years ago, how they defied the rules and became sonic innovators that have inspired so many.

Everyone has seen a Trumbull sequence in Stanley Kubrick's "2001 A Space Odyssey", Ridley Scott's "Blade Runner" or Steven Spielberg's "Close Encounters of the Third Kind". Recognized and respected SFX maestro, he has also directed two full-length films which left their mark on sci-fi cinema: "Silent Running" and "Brainstorm". Today, at over 70, Trumbull-the-pioneer continues his quest for innovation and still dreams of a cinema which places spectators into the film. "Trumbull Land" is an immersive portrait of Douglas Trumbull in his studios and a diving headfirst in his cinema.

Two brothers working as news cameramen for competing companies in '50s Australia find their lives dramatically affected by the constantly changing times in which they live.

Ayako Mano, who is nearly identical in appearance to Yohko, is introduced; she has spent her life training and honing her abilities so that one day she may defeat Yohko and become the devil hunter of the Mano family, and now she is ready for the final confrontation. Yohko continues to live her life and is unaware of Ayako until she starts stealing away every guy that on whom Yohko has a crush. Then one night while taking a bath, Yohko hears something outside and gives chase. She then meets up with an Azusa look-alike. She and Ayako attack the unsuspecting Yohko with crushing attacks, while Yohko parries the onslaught. The fight stops, but Ayako vows to finish it. Madoka reveals a certain part of her past that relates to the encounter.