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An aging street cop goes after a gang of toughs involved in several robbery-rapes on his beat in this pilot (a spin-off from "Police Story") for the 1975-76 series. The veteran cop concept also was the basis for "The Blue Knight" series at the same time — and that, too, was based on a Joseph Wambaugh creation. Also known as "The Return of Joe Forrester."

Evilio asks a family for help that decides to ignore him. Later that night, he appears at their house to punish them.

The story is presented as a voiced-over narrative by Arita (Takahiro Tamura), speaking long after the events of the film. In a remote army base in Manchuria, near the Soviet border, long-serving corporal Arita hates the military and looks forward to the day he may leave. Although a university graduate, he has several times deliberately failed the exam for promotion and thus remains a corporal after four years' service.

3 young women encounter car trouble on the way to a Dragonsclaw concert during a rainstorm. They are forced to go seek help, where one by bloody one they are attacked by a masked maniac and hung on meathooks. Who will survive and what will be left of them?

January 1964, the author of the novel Tiempo de silencio, Luis Martín-Santos, dies in a tragic car crash. On the 60th anniversary of the accident and the 100th year since his birth, we follow his children on a voyage to reconstruct the writer, the psychiatrist, the man behind the work that turned him into a literary promise. A journey through the figure of Martín-Santos, his peculiar view of post-war Spain and his work hidden for years based on partly unpublished texts.

Visual anthology of Celtic new age recording artist Enya. This collection contains 13 promotional music videos highlighting her career from her self-titled debut in 1987 to her 2000 album, A Day Without Rain.

A spokesman rises to the top of the Greater Boston area spokesperson game.

A money transporter is ambushed near the small Eifel village of Eschbach. The young LKA chief inspector Lona Schanz then determined in the village and its surroundings.

Best friends Ruth and Megan run a vintage shop in North London. One day, their lives are forever turned upside down when an abandoned time machine appears outside their shop. Mixing reality with fantasy, we explore the strange and outlandish world of The Unreason, as the girls traverse space and time sourcing items to sell.

A compilation of three videos recorded during a private, invitation-only gig at The FunHouse in Bisbee, Arizona (where Stanhope lives, the audience is comprised of his close friends and neighbors) in 2016. Previously available as clips on YouTube, Stanhope released the three, 20-minute clips himself direct to streaming services, including Vimeo and Amazon, in late 2017.

We can easily say that our life is a game, not an ordinary one where you can determine the story, the space and the characters, but a game which comes with opportunities and traps, with gains and losses, a game we have to play every second, a game in which we are rooted. Sometimes we choose the virtual space in order to escape reality, but in the end it turns out to be just a way to avoid the real game, our everyday life. We see the big changes as new levels in our lives and we don't have the option to skip, our only choice is to play. So, the "Call of Pink" comes with the positive point of view that the world needs to overcome the real life levels, which we all know are the hardest to pass. Anyway, some details as creativity and fun are the things we should keep as weapons for the reality.

Spectator is one of the early masterpieces by Zwartjes. The film explicitly shows one of Frans Zwartjes’ main themes: the relationship between husband and wife. It is a relationship that is strongly marked by power and domination, sexual attraction and repulsion. It manifests itself in humiliation and abuse (such Pentimento), but also in cool eroticism or natural physicality. Zwartjes’ goal is not to explain or designate this relationship. Rather it is the subject that Zwartjes uses to describe his world. In an article on Zwartjes, filmmaker and student George Schouten compares Zwartjes to the Italian writer Alberto Moravia. For both, sex is their way of dealing with reality. It is the subject by which they define their world. And for Zwartjes, it is also the subject with which he can display and develop his cinematic talent. (eyefilm.nl)