François Morency: Furieusement Calme

Ava, an award-winning chef at a big-city restaurant, has lost her spark. Her boss sends her out to find herself to save her menu and her job. She returns home and finds little to inspire her, but when she reunites with her childhood friend Logan, Ava has to get her head out of the clouds and her foot out of her mouth to rediscover her passion for food.

Photographs by my father Giacomo Mazzola and a video depicting Sironi’s painting Mountains: a gesture of remembrance in three chapters.

Max's hope is to find a family for him like the rest of his colleagues. When he has almost lost hope his destiny will change, though not the way he expected.

A young actress arrives late to a casting, making up a great excuse without knowing a small detail.

Truck driver Teddy's late night stop at a gas station takes a dark turn when he meets the mysterious hooker Katerina, leading to unexpected consequences.

Launder Run tells the story of Jake, a man returning to his gritty hometown after years away, carrying the weight of a troubled past. The film opens on a rainy Saturday afternoon as Jake trudges through a bleak estate, visibly exhausted and clutching a plastic bag. Arriving at his sister Sue’s chaotic, unkempt flat, he confronts the ruins of his old life—a dirty fridge, a cluttered bedroom reduced to storage, and the ghosts of a once-close family. Seeking solace, he revisits his old pub, a place teeming with memories. As he steps inside, the bartender recognizes him with shock, hinting at Jake’s mysterious past and the reasons for his long absence. “Lounder Run” explores themes of homecoming, redemption, and the unshakable grip of one’s origins.

San Francisco homicide detective Maggie Price and former, world-class chef Henry Ross are on the case once again. The crime-solving odd couple investigates the murder of Henry’s friend, a well-known local chef found dead in his kitchen. As they begin to unravel an old family secret, Maggie has to stay one step ahead of a mysterious man in the shadows who appears to be stalking her, while her blossoming relationship with Henry is threatened by the arrival of an ex-love from Maggie’s past.

Thérèse, who has come from the city, has married the sad Louis Raboux, a violent peasant who dies under unclear circumstances. Thérèse stays at the farm with Célestin, who loves her, but dares not say it out of shyness. The arrival of Pierre, who knew Louis and has something to hide, complicates the situation. Célestin's jealousy, which the maid Julia tries to console. Thérèse and Pierre's passionate love. The police arrest the young man and Célestin chases Thérèse, who falls from the roof. Célestin throws the body into an abyss, only to see Pierre reappear. In a rage, he too rushes into the ravine, from which Thérèse emerges, a new miracle-worker, ready to throw herself into the arms of her lover.

After playing the infamous urban legend game "Madame in Black", Alex and his sister, Emma, experience the wrath of the evil witch Madame in Black.

After three years, Pete and Howie reconnect and discover the past has consequences.

"Tacita Dean’s JG is inspired by her correspondence with Ballard regarding connections between his short story 'The Voices of Time' (1960) and Robert Smithson’s iconic earthwork and film SPIRAL JETTY (both works, 1970). JG is a 35mm anamorphic film shot on location in the saline landscapes of Utah and central California using Dean’s recently developed and patented system of aperture gate masking. An unprecedented departure from her previous 16mm films, JG tries to respond to Ballard’s challenge – posed to her shortly before he died – that Dean should 'treat the Spiral Jetty as a mystery her film would solve.' " - Anthology Film Archives