The Comics

Fantozzi is now retired but continues to go to the office where it is held up as a fine example of employees intending to do career.

A poster worker must remove the poster of the original movie, when the figures of Renato and Paolo suddenly moves and leaves the poster driving an ambulance dressed as nurses.

One by one, with a sweet but inexorable rate, Ugo's colleagues, go to a better life. When Ugo is attending at one of the innumerable funerals, he and the priest remain involved in an accident. The doctor says that Ugo as only one week left to live

A man is forced to completely change his habits when he decides to move from the country to the city.

A few funny little novels about different aspects of life.

Ciottoli is a journalist with absolutely no prospective for his career, with a lot of debts and a mobster that want him died. Unexpectedly he win the national lottery (almost Eur 2.5 Mln) and try to remain unanimous hiding the winner ticker into his typewriter. Ironically his director order to him to write an article on the mysterious winner. When he is back home he discovers all his furniture has been confiscate and will go on a public auction. He will try desperately to buy back the worthless typewriter while all his previous problems still follows him, especially the mobster...

Two not very clever young doctors open a fitness center and promise to let people lose seven kilos in seven days. When the enterprise fails they open a gourmet restaurant.

In this second episode Dalmazio and Egisto come, respectively, from the prison and the insane asylum. They risk a second arrest for their awkwardness so they return from their "uncle" who is willing to help them.

2020 marks 100 years since the birth of Federico Fellini, the most prominent Italian director and one of the symbols of the insuperable cinematic heyday of mid-20th century. Fellini had always been a mysterious director, not only in his cryptic symbolism but also in his idiosyncratic, excessive mixture of psychoanalysis, Catholicism and faith in the mysterious. In this documentary, his relationship with the paranormal, luck and fate, alongside the coexistence of organized discourse and transcendence to the imaginary, is examined via friends, collaborators and distinguished fans (Friedkin, Gilliam, Chazelle). A great testimony to why rationalists and ideologists have a hard time with his work, ‘Fellini and the Spirits’ is an appropriate yet unexpected tribute.

Government agents find evidence of extraterrestrial life at the South Pole.

An impotent husband is inspired by the bull that he inherited from his father and finds the lost virility.