The Tree of Blood

Mauro, Paolo, Roberto and Massimo are four friends, all divorced. Massimo has just decided to kill himself because the judge deprived him of everything, forcing him to give a substantial allowance to his former wife. Now he can barely afford a miserable apartment. His friends try to give him support, making sure he doesn't try again to suicide. When it seems they succeed, a charming neighbor rings the doorbell with an unwelcome surprise.

Killing The Shadows is a bawdy comic fable set in the Ottoman Empire during the mid-14th century based on two legendary figures in Turkish folkore, the jester Hacivat (Beyazit Ozturk) and the nomad Karagoz (Haluk Bilginer), men who apparently lived and died by their sense of humour.

A failed Broadway singer who now works as a production manager must save opening night on his new production by wrangling his eccentric cast and crew.

Brené Brown is a research professor at the University of Houston Graduate College of Social Work. She has spent more than a decade studying vulnerability, courage, authenticity and shame. With two TED talks under her belt, Brené Brown brings her humor and empathy to Netflix to discuss what it takes to choose courage over comfort in a culture defined by scarcity, fear and uncertainty.

HONDROS follows the life and career of famous war photographer Chris Hondros by exploring the poignant and often surprising stories behind this award-winning photojournalist's best-known photos. Driven by a commitment to bear witness to the wars of our time after the events of 9/11, Chris was among the first in a new generation of war photographers since Vietnam. HONDROS explores the complexities inherent in covering more than a decade of conflict, while trying to maintain a normal life. It also examines the unknowable calculus involved in making split-second life and death decisions -- before, during and after his photos were made. Chris was killed in Libya in 2011, but he left a lasting impact on his profession that is still felt today.

Busy discussing the details of her wedding on the phone, Alicia orders a coffee to go. As fate would have it, she unexpectedly bumps into her ex-boyfriend there.

Masato is a young ramen chef in Japan. When he finds his late mother's journal after the sudden death of his emotionally distant father, he takes it with him to her native country, Singapore, hoping to piece together the story of his family and his life.

Yuli is the nickname given to Carlos Acosta by his father, Pedro, who considers him the son of Ogun, an African god and a fighter. As a child Yuli avoids discipline and education, learning from the streets of an impoverished and abandoned Havana. His father, however, has other ideas, and knowing that his son has a natural talent for dance, sends him to the National Ballet School of Cuba. Despite his repeated escapes and initial poor behaviour, the boy is inevitably drawn to the world of dance, and begins to shape his legendary career from a young age, becoming the first black dancer to be cast in some of the most prestigious ballet roles, originally written for white dancers, in companies such as the Houston Ballet or the Royal Ballet in London.

Lila, a famous retired singer, loses her memory after suffering an accident, just as she planned her return to the stage.

Antonio, an honest citizen, seeks his revenge against Simone, a dishonest politician. Antonio initially wanted to report him but then, knowing Italy, a country in which the justice process is very long and uncertain, he decides to take revenge in another way: he discovers that his enemy has hidden the proceeds of his misdeeds in a Swiss bank and decides to organize a hit to get back what was stolen from him. To accomplish the feat, Antonio sets up a small gang, made up of non-professionals who have only one thing in common: they too have been defrauded by corrupt politics. The heist takes place in Zurich where the bank in which Simone hid the money is based. With a series of unpredictable consequences, and with a funny substitution of people (Antonio and his wife pretend to be Simone and his partner), a comic clockwork mechanism starts. And the heist begins.

Juan López must balance an office job with heroic feats to save the love of his life and native planet Chitón.

Ten-year-old Nico receives a threatening letter and now his life is in danger. No one seems to believe him except one person that he doesn't know.