Theater Boys

Williamstown, Kentucky, is home to the Ark Encounter – a “life-size” creationist museum filled with all of the creatures that traveled in Noah's Ark, including dinosaurs. With incredible access to the park leading up to its opening, the filmmakers expose the larger system behind the creationist movement, piecing together the many factors that have led to the museum presenting its information as historical fact, and the people who are fighting to set the scientific record straight. Amid a climate of science denial and a well-funded corporate behemoth, three Kentuckians (a local geologist, an ex-creationist, and an atheist activist) try their best to challenge the movement that is taking over their home state. Meanwhile, fervent believers work diligently to create the lifelike animatronics that will be on display in the Ark.

A crime movie directed by Rudolf Jugert.

This film by Stan Brakhage investigates the process of memory and thought by melting a series of images and a field of color. The positive-negative flickering graphs a sort of shutter-window all over the matter of the vision. Jittery flocks of space are interweaving as pieces of language in a scant illumination, whereas the process of thought is sheared in fuzzy transience.

Allie and Marily are rivals in the small town of Meadow Ridge, their bakeries across the street from each other. Their rivalry intensifies when the Royal Prince of Samavia rolls into town looking for a royal baker for his brother’s coronation. When Allie and the Royal Prince hit it off, it seems he might be in the market for more than just a terrific cake. But will the sneaky Marily let Allie get it all: the gig and the prince? Of course not.

Mau follows the unlikely story of design visionary Bruce Mau and his ever-optimistic push for massive change.

Through seven scenes, the film follows the life and destinies of stray dogs from the margins of our society, leading us to reconsider our attitude towards them. Through the seven “wandering” characters that we follow at different ages, from birth to old age, we witness their dignified struggle for survival. At the cemetery, in an abandoned factory, in an asylum, in a landfill, in places full of sorrow, our heroes search for love and togetherness. By combining documentary material, animation and acting interpretation of the thoughts of our heroes, we get to know lives between disappointment and hope, quite similar to ours.

Kaatje, the daughter of the miller Schoonejans, and Jef, a little shepherd, who live near Delft, are happy together. In a floral parade, the carriage the two children have decorated with tulips wins the first prize. The next day, during a thunderstorm, lightning destroys the mill and kills Schoonejans. A life of misery starts for his widow and daughter. Remembering how the theatre manager Boolmans had applauded the dancing of Kaatje and Jef at the floral parade, the widow takes her daughter to Amsterdam, where Boolmans engages Kaatje. The years pass, and Kate has become a famous dancer.

South Africa’s diamond king, Jue Gung, neglected his loved ones and decided to return to Hong Kong for the New Year. His family attempts to gain favor with him, in hopes of inheriting some of his wealth.

The film is set in Northern Ireland shortly after 1994 cease-fire. Hazel is a Protestant and Malachy a Catholic. Romance between them is threatened by Rohan (leader in militant underground and pal of Malachy's brother Padhar), who wants Malachy to be recruited and fight for the cause and by Hazel's brother Jef, who spies on her meetings.

Virtuoso Afro-Cuban-born brothers—violinist Ilmar and pianist Aldo—live on opposite sides of a geopolitical chasm a half-century wide. Tracking their parallel lives in New York and Havana, their poignant reunion, and their momentous first performances together, Los Hermanos/The Brothers suggests what is possible when walls come down, and borders are crossed. A nuanced, intensely moving view of nations long estranged, through the lens of music and family. Featuring an electrifying, genre-bending score composed by Cuban Aldo López-Gavilán, performed with his American brother, Ilmar, with a guest appearance by violin maestro Joshua Bell and the Harlem Quartet.