Making Porn

This film is the record of a traumatic reaction to the terrorist acts in the Moscow subway of March 29, 2010.

Johnny, a young man living in the UK, works tirelessly at a restaurant run by his ruthless boss, who values profit over people. Johnny hasn't seen his mother, who lives in Nepal, for five years. Despite his longing, his boss refuses to grant him time off when his mother invites him to celebrate the Dashain festival together, a cherished tradition involving family and festivities. Heartbroken, Johnny is forced to postpone the reunion, promising his mother he'll come next year.

Ruth Butler, a clerk in an emporium, marries Jimmy Rutledge and thereby greatly displeases his mother, the owner of the emporium, because of Ruth's lowly origins. Renaud Graham, one of Mrs. Rutledge's friends, becomes interested in Ruth, forces his way into her apartment, and attempts to make violent love to her. Jimmy walks in on their embrace and, suspecting the worst, leaves Ruth. In the family way, Ruth finds refuge in a boardinghouse where she meets Al Bryant, an aspiring writer. Ruth tells Al her life story, and he makes it into a bestselling novel and then into a play. Jimmy sees the play and comes to his senses, winning Ruth's forgiveness.

Peter loves nature, especially during summer. Known for his sense of humor, he enjoys the warmth and long days of the season. One day, his friend Lisa suggested a trip to the mustard fields in Alton, Hampshire. The two decided to go, and when they arrived, they were greeted by the stunning sight of blooming yellow mustard flowers. The fields were bright and beautiful, a perfect summer scene. This is the story of Peter and Lisa's visit to the mustard fields.

LIVE; THEATERSEIZOEN '82/'84: 'Urbanus Live' werd in opdracht van Urbanus Nederland opgenomen tijdens twee uitverkochte voorstellingen in de Agnietenhof van Tiel op 4 en 5 februari 1983. Deze opnamen werden samengevat voor televisie en uitgezonden door de Vara in 1983 en in 1984. Dit is de volledige, ongeknipte versie van deze twee succesvolle uitzendingen via Vara en tevens een aardige weergave van het theaterseizoen 1982-1983 in Nederland en 1983-1984 in België. IN 'T ECHT: Deze theatershow van Urbanus was een ware triomf in de Belgische- en Nederlandse theaters, waarbij records sneuvelden wat bezoekersaantallen betreft. In Nederland werden ruim 200 voorstellingen gegeven, waarvan drie shows in Carré in Amsterdam. Geen enkele buitenlandse artiest deed hem dit na. In Vlaanderen was het niet anders. In alle grote theaters vonden meer dan twee voorstellingen plaats en Antwerpen leverde een record op van meer dan 15.000 bezoekers.

Snow Carnival is a 1949 short documentary film narrated by Gary Cooper, and supervised by Gordon Hollingshead. It is about the snowy attractions of mid-twentieth century Aspen, Colorado. The film was nominated for an Oscar nominated for Best Short Subject, Two-Reel.

A documentary that deeply focuses and visits the trauma of Korea's modern history for 70 years through the life of a father whose family was indifferent.

One time bickering neighbors are forced to share the same apartment. The cultural clash between traditional-orthodox-India and modern-urban-India. The collision of two cultures creates havoc in the beginning but finds a peaceful co-existence, at the end. An orthodox boy from the holy city of Banaras, is forced to stay with a chorus dancer in Bombay... The film does the journey of these two opposite personalities and how, after the initial phase of rejection, they find each others place in their respective lives.

Photographer Tadashi (Shinsuke Akagi) and design company Yuko (Mariko Junko) who are working part-time are married people who have both built ordinary households. However, as they happen to meet each other, they gradually become more and more attracted to each other.

People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.