A True Mob Story

A lawyer becomes involved in a murder case concerning the bizarre killing of a rich businessman.

The sword saint requests a duel with god of sword at the apex of the forbidden city to determine the worlds best. As the date of the duel nears troubles befall the imperial town until everything is revealed at the climactic fight.

The lives of a nightclub owner, a crime boss, a stripper, a bartender, two hitmen, a prostitute and a psychic take a turn for the worse when they are trapped in an escaped mental patient's sinister path of madness and destruction.

As a part of a tribute night to broadcaster and television executive Alan Yentob, he interviews leading British artist Jenny Saville. One of the most successful figurative painters working today, she came to prominence as part of the YBA movement in the late 1980s and early 1990s. She has been reluctant to discuss her work for many years on television, until now. Alan Yentob was working with her on a film for Imagine and caught up with her in Vienna on the eve of two major 2025 exhibitions she is mounting. This was the last interview Alan Yentob conducted in a career spanning six decades at the BBC, bringing many of the world’s leading artists and creatives to the screen. Alan also persuaded Jenny to allow cameras into her painting studio for the first time in almost three decades.

In the last "Big Boss" (AKA "Fists of Fury"), Cheng Chao-On was arrested after killing Hsiao Mi, "The Big Boss." In this unofficial sequel, his brother, Cheng Chao-Chun, visits his brother in Thailand, finds a job at the same ice factory that his brother worked at and avenges the death of their father.

A little girl disappears into an old wardrobe and the three friends Sveppi, Villi and Goi team up to save her. Together they have an incredible adventure taking them to new heights as they learn the true power of the magic wardrobe.

The film turns to university student occupations during the fight against the PEC of the End of the World, at the end of 2016.

Spectator is one of the early masterpieces by Zwartjes. The film explicitly shows one of Frans Zwartjes’ main themes: the relationship between husband and wife. It is a relationship that is strongly marked by power and domination, sexual attraction and repulsion. It manifests itself in humiliation and abuse (such Pentimento), but also in cool eroticism or natural physicality. Zwartjes’ goal is not to explain or designate this relationship. Rather it is the subject that Zwartjes uses to describe his world. In an article on Zwartjes, filmmaker and student George Schouten compares Zwartjes to the Italian writer Alberto Moravia. For both, sex is their way of dealing with reality. It is the subject by which they define their world. And for Zwartjes, it is also the subject with which he can display and develop his cinematic talent. (eyefilm.nl)

After a series of events, Georg Hauser, an established middle-class man, is at odds with the world, in which he himself used to work so well. He wants out. He wants to live. In a moment of his very own clarity, he destroys his car, but whoever destroys his property is an enemy of the state.

Four 12-year-olds—Sharon, Tom, Moishy, and Sophie—prepare for their bar or bat mitzvot.

A money transporter is ambushed near the small Eifel village of Eschbach. The young LKA chief inspector Lona Schanz then determined in the village and its surroundings.