An American Pickle

A documentary on the last remaining Blockbuster Video in Bend, Oregon.

Fed up with her cheating husband, Louise, 45, takes off for a weekend in Corsica. But after a wild night of unbridled passion with a man who winds up dead, Louise is unwittingly mistaken for his secret, longtime girlfriend by his Corsican fearsome but loving mother.

An intimate portrayal of the relationship between one of greatest artists of the 20th century, L.S. Lowry and his unhappy and controlling mother, Elizabeth, whom he lived with all his life.

10-year-old Eli finds himself at summer camp.

In the 1990s, when Go gambling fever swept Korea, Gui-su loses everything because his father gambled obsessively until there was nothing left. Left all alone in the world, Gui-su meets a mentor and Go teacher, Il-do, and goes through vicious training to become the grandmaster of Go. He sets out for revenge on the world that destroyed his life, but soon finds himself chased by an unknown loner pursuing his own vendetta.

Chihiro is depressed and obsessed with his own mortality. Him and his wife, Yuri (Yoko Mitsuya), decide to take a trip to Bali, Indonesia to see his pregnant sister, Kumi (Kiki Sugino). They hope the trip can bring about change.

Something exciting for you. It's not the winning lotto numbers; it's better. Joe Pera returns to his stand-up roots.

In 2016, after Glenn Frey died, the Eagles went on a hiatus as Don Henley decided that the band would not play again. However, Henley reversed his decision and it was announced in March 2017 that the Eagles would perform in two festivals featuring classic rock bands organized by their manager Irving Azoff, starting with The Classic West festival held at the Dodger Stadium in July that year. Henley brought in Frey's son Deacon to perform with the remaining members of the Eagles in these shows after he saw Deacon performed Glenn Frey's songs at his memorial service.

Pauline Kael (1919–2001) was undoubtedly one of the greatest names in film criticism. A Californian native, she wrote her first review in 1953 and joined ‘The New Yorker’ in 1968. Praised for her highly opinionated and feisty writing style and criticised for her subjective and sometimes ruthless reviews, Kael’s writing was refreshingly and intensely rooted in her experience of watching a film as a member of the audience. Loved and hated in equal measure – loved by other critics for whom she was immensely influential, and hated by filmmakers whose films she trashed - Kael destroyed films that have since become classics such as The Sound of Music and raved about others such as Bonnie and Clyde. She was also aware of the perennial difficulties for women working in the movies and in film criticism, and fiercely fought sexism, both in her reviews and in her media appearances.

A dark rainy night, an empty house, a stranded couple and an unknown man. A sleek game of the cat and the mouse starts playing on, as the three of them find a dead body in the basement.

Plauto, the clown, tells us the story of the Circo de las Alegrías. Doña Alegría, owner of the Circus is determined that her son Palevhi, maintain the classic line of the show, which begs for a complete renovation. During the last years, the Circus has been dragging like a dying man until the threat of bankruptcy and unemployment has led his workers to anguish. One night in September, Palevhi decides to inform the big family of the circus the final closure. Tears of frustration give way to the search for solutions.

Salaam Namaste is about two Indians who have left their houses to make a life on their own, and how they meet and how they tackle their own relationships and problems and overcome them themselves without their families