Сөмбөлдөң етенсе йәйе

Two years have passed. There is a normal life, but handsome Ludo meets his old love, and Anna is very jealous...

Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.

Two convicts—a white racist and an angry black man—escape while chained to each other.

God decides to take a vacation, but first He has to find a saint who can rule the universe while He's away. So He goes to the Northeast of Brazil, where He believes there's a very good man for the job. As soon as He comes down to Earth, a young man comes along to help on His quest.

Conan tries to track down Kaito Kid, who supposedly steals a replica of one of Van Gogh's Sunflowers paintings during an auction.

While on a summer trip with her friends, Megan begins to feel the presence of Sophie, her twin sister who recently committed suicide.

A young writer begins an affair with an older woman from France whose open marriage to a diplomat dictates that they can meet only between the hours of 5 p.m. to 7 p.m.

The explosion of a new Tokyo Subway line leads Conan and his friends in a snow-clad village. Here, after eight years, the little detective sheds light on the dynamics behind the shocking event that caused the death of a woman and the coma of a 15-year-old boy. Under the beautiful snow, Conan gets involved in something bigger than him.

The Pink Panther diamond is stolen once again from Lugash and the authorities call in Chief Inspector Clouseau from France. His plane disappears en-route. This time, famous French TV reporter Marie Jouvet sets out to solve the mystery and starts to interview everybody connected to Clouseau.

Early morning silence is broken by screeching tires as a helicopter bears down on a speeding vehicle. Taking a quick corner, the team tumbles out into the woods as their car pulls away. Now they must make their way through the thick of nature and thick gunfire to accomplish their mission. Not a single word of dialogue is spoken throughout the entire film. Instead, the music, sounds, images and deeply truthful acting turn a simple plot into an intense experience. Passion and intrigue keep building to the very end.

A town—where everyone seems to be named Johnson—stands in the way of the railroad. In order to grab their land, robber baron Hedley Lamarr sends his henchmen to make life in the town unbearable. After the sheriff is killed, the town demands a new sheriff from the Governor, so Hedley convinces him to send the town the first black sheriff in the west.

A weekend at a marquis’ country château lays bare some ugly truths about a group of haut bourgeois acquaintances.