The Nurse in the Military Madhouse

It's summer. Lisa goes every day in a holiday hotel to give French lessons to Mario, the owner's son. the beauty and personality of Lisa quickly raise the attraction of tourists, but also jealousy of mothers who see their husbands and son prowling around the lovely young woman ...

Luisa De Dominicus is a Milanese piano teacher who moves to Lucca to be with the man she loves: Ferdinando 'Bonci' Marinotti, a city councilman campaigning for mayor on a platform of moral values. She is of the belief that Fernando is single, living with his ailing mother. This, of course, is far from the case. The boys living in her apartment building mistakenly believe Luisa is a call-girl who uses piano teaching as a cover for her true profession, and word soon spreads among the building's dirty old men. The resourceful boys drill a well-concealed hole in the wall between Signorina Luisa's flat and the bedroom of the landlord's son, Marcello Busatti, allowing them a spectacular view of their spectacular neighbor. Marcello quickly becomes infatuated with Luisa, but is also conflicted regarding her supposed profession. Eventually Luisa learns of Fernando's philandering nature, and after a vigorous misunderstanding, satisfies Marcello's unrequited lust/love.

A satire on the American film "The Exorcist," but with an Italian twist.

Colonel Anacleto Punch, military doctor, falls in love with the beautiful and sensual South African Dr. Eve Russell, specializing in transplants. Thinking that his manhood is not adequate for the beautiful colleague, decides to do a transplant with the unsuspecting nurse prawn, that with women has always been successful. But the end result will not be as anticipated.

Rich girl Angela returns to school and falls for the local hunk. But when he refuses her advances, she pretends to be in love with the principal instead.

A white gorilla causes trouble in the deepest heart of Africa. The film uses footage from the silent 1927 serial Perils Of The Jungle.

The young widow Arianna (Alexandra Delli Colli) has recently married to a businessman Aurelio (Vito Fornari). She brings her children, Carlotta (Claudia Cavalcanti) and Gustavo (Alfredo Galloto) the new family. Carlotta has a relationship with Henry, but is attracted by the new stepfather and seduces him. Gustavo, however, prefer a gay relationship with Mario. At this point Arianna decides to introduce, by herself, her son the taste of a woman does the same to Mario in front of his son. Of the whole situation took advantage of two young blackmailers: Mario and Enrico.

Early morning silence is broken by screeching tires as a helicopter bears down on a speeding vehicle. Taking a quick corner, the team tumbles out into the woods as their car pulls away. Now they must make their way through the thick of nature and thick gunfire to accomplish their mission. Not a single word of dialogue is spoken throughout the entire film. Instead, the music, sounds, images and deeply truthful acting turn a simple plot into an intense experience. Passion and intrigue keep building to the very end.

A struggling young dancer finds herself drawn in by dark forces when a peculiar, well-connected older couple promise her a shot at fame.

The individual journeys of the four members of the band, as they move through the music scene of the 1960s, playing small clubs throughout Britain and performing some of the biggest hits of the era, until their meeting in the summer of 1968 for a rehearsal that changes their lives forever.

Jérémie returns to his hometown for the funeral of his former boss, the village baker. He decides to stay for a few days with Martine, the man's widow. A mysterious disappearance, a threatening neighbor and a priest with strange intentions make Jérémie's short stay in the village take an unexpected turn.

During a bitter 1964 Massachusetts winter, young secretary Eileen becomes enchanted by Rebecca, the glamorous new counselor at the prison where she works. Their budding friendship takes a twisted turn when Rebecca reveals a dark secret — throwing Eileen onto a sinister path.