The Skunk Ape Lives

An old man is isolated in his home. Haunted by the loss of his beloved, he embarks upon a journey to return to her.

The Dutch comedian Youp van 't Hek looks back on 1989.

As the Overfiend slumbers, the mad emperor Caesar rises to power, enslaving a new race of demon beasts. Into this cruel existence is born the Lord of Chaos, the Overfiend's nemesis. As the blood-thirsty beasts capture the tyrant's daughter in a brutal coup, the Overfiend must awaken to an apocalyptic battle of the Gods.

Five ex-soldiers go to a small town in Oregon to help a friend investigate the murder of his brother.

"In Rome, the author says, hidden among the little streets of the Pigneto and Tor Pignattara districts, an underground scene made up of strong women has developed. A scene full of passionate women who dedicate their lives to experimentation and free art expression(…) When I discovered their world I immediately felt involved, and I decided to make this documentary." The result is a generous choral documentary about the female music/performance scene in the eastern area of Rome. A documentary about love for music and art, about freedom to be what we really want to be, trying to discover our true identity, beyond the stereotypical roles imposed by contemporary society. A documentary about choosing to follow the talents and desires that are essential for life, our life's blood (linfa), and that give meaning to our existence. It is a story of female artistic activism that becomes political demonstrating that it is possible to oppose the ordinary and banal with alternative creative worlds.

The Yakimanka Center for Contemporary Art is one of the most important institutions of contemporary art in the 90s in Moscow. It was here that the first open platform for all forms of self-expression was created. New artists, gallery owners and curators appeared here, the main events of the artistic life of the last decade of the twentieth century took place.

Madly explores love in all its permutations in six short films from a vibrant group of filmmakers representing Japan, Argentina, the UK, the US, India, and Australia. All forms of love are on display in this anthology. And all manners of feelings expressed from jubilance to depression are done so strongly.

Even uninhabited archipelagos may be subject to drawn out territorial disputes if they are rich in oil deposits. However, the filmmaker is more concerned with how ownership issues reverberate amongst nationalists in competing countries rather than in the history of the dispute or its resolution, making it possible to present the patriotic pathos-soaked ceremonies of the Japanese, the efforts of Chinese authorities to complicate diversionary activities, and the expressive protests and bizarre rituals of Taiwanese activists. The desire to understand the situation leads the director to participate in several futile attempts to land on the islands. Although he finds himself on the frontline during an escalation in the conflict, he is able to maintain his distance as an impartial observer.

Many people believe that ghosts are real, and that these beings truly exist - though there is not a single mention of their existence in the sacred pages of the noble Al-Quran. However, the holy texts of the Al-Quran warn us about the negative influences from demons, devils and spirits. In the film “Jin”, we reinvestigate the disturbances that we encounter which are commonly associated to ghosts and such. “Jin” is a classic horror film that revolves around a young married couple: Syafiq and Lily. Syafiq is a business owner who strives to improve his family’s quality of life by buying a house for his beloved wife. Lily, upon seeing a place that is spacious and beautiful, immediately falls in love with it. What this couple doesn’t realize however, is that the house has a history of changing hands often and has stories of serious disturbances.