WCCW Star Wars (February 1981)

BBC documentary. Witness John Williams composing the legendary score for The Empire Strikes Back and conducting the London Symphony Orchestra.

Parker, a successful advice columnist, and her best friend Aaron have been inseparable since childhood. She knows everything about him, including the fact that he doesn't love his fiancé. Desperate for help, Parker pens an anonymous letter to her own column asking for advice. Unexpectedly, she learns about her own feelings instead.

3 young women encounter car trouble on the way to a Dragonsclaw concert during a rainstorm. They are forced to go seek help, where one by bloody one they are attacked by a masked maniac and hung on meathooks. Who will survive and what will be left of them?

Waterloo - Ring ring - Mamma mia - SOS - Bang-a-boomerang - I do, I do, I do, I do, I do - Fernando - Dancing queen - Money, money, money - Knowing me, knowing you - That's me - The name of the game - Take a chance on me - Eagle - One man, one woman - Thank you for the music - Summer night city - Chiquitita - Does your mother know - Voulez-vous - Gimme! gimme! gimme! - A man (after midnight) - On and on and on - The winner takes it all - Super trouper - Happy New Year - Lay all your love on me - When all is said and done - One of us - Head over heels - The day before you came - Under attack - Estoy soñando - Felicidad - No hay a quien culpar - Dancing Queen (1992 version)

Mexican feature film

January 1964, the author of the novel Tiempo de silencio, Luis Martín-Santos, dies in a tragic car crash. On the 60th anniversary of the accident and the 100th year since his birth, we follow his children on a voyage to reconstruct the writer, the psychiatrist, the man behind the work that turned him into a literary promise. A journey through the figure of Martín-Santos, his peculiar view of post-war Spain and his work hidden for years based on partly unpublished texts.

A woman sits alone in a bare white tiled bath, reading Georges Bataille’s ‘Story of the Eye.’ The bizarre events described in the text provoke a series of fantasies in which the room and its accoutrements become the stage and the woman the main player. As her dreams unfold in the liquid medium of the bath, she becomes the ‘eye’ of the story and her own body the object of its gaze. With a feminine hand, THE STORY OF I plucks Bataille’s central metaphor from its original context and re-invents its erotic vision from the inside out. The eye is the vagina, seen throught he blood, urine and tears, it looks at itself in a mirror.

Adonai Flores, an experienced writer of telenovelas, falls in love with Belén Helena, a girl of low class. Adonay, desperate to keep her with him, abandons his responsibilities and even his dog. After discovering that she is a drug dealer he decides to leave her and recovers his dog

The film was shot on the story of Valentin Pikul “Go and do not sin”, which tells about the real events that took place in Russia at the beginning of the 20th century. The story of the young beauty Olga Palem from a poor large family is replete with tragic events. Olga's passionate disinterested love for student Alexander Zapolsky becomes her evil rock. Spoiled and selfish, Alexander is not able to appreciate her feelings. Exhausted by humiliation, a young woman kills her lover. The high-profile trial of Olga Pale becomes a sensation that stirred up the whole of Russia ...

In Seoul, there are 70 thousand taxis including 20 thousand corporate taxis and 40 thousand private taxis threading across the city. In most cases, a taxi driver works 12 hour shifts and must complete 20 to 30 trips a day in order to take home the smallest of earnings after paying 80 to 100 dollars to the taxi company. The taxi drivers go to every nook and cranny of the city with a variety of passengers at their side or in the back seat. One summer I became a taxi driver, driving one of Seoul’s 70 thousand taxis …

When their love wanes after a miscarriage, two heartbroken women try to piece together their relationship, highlighting the hardship and dysfunction that can arise from trauma and grief.

An experimental short by Bryan Demers