John Farnham: Talk of the Town Tour

People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.

"a colorful poem of the first copy-motion film... the system registers images directly from a color (xerox) duplicator model 6500... an original, versatil, unique system developed by Darino" –Back Stage

This film is the record of a traumatic reaction to the terrorist acts in the Moscow subway of March 29, 2010.

Nina is an elderly woman who lives alone and feels distressed by the increasing violence in her neighborhood. Amidst conflicts with her neighbors, she decides to film the movement of drug traffickers from her window, hoping to assist the police. After months of recording suspicious activities, her initiative attracts the attention of a journalist, who approaches Nina and offers to support her in her mission.

Frightening events unfold that may or may not be figments of Marigold’s imagination.

After the death of their abusive father, two estranged twin brothers must reunite and sell off his property.

The air in London was damp and cold, a stark contrast to the vibrant warmth of Kathmandu that Anmol often dreamed of. It had been five years since he left Nepal for the United Kingdom, chasing the dreams his mother, Susmita, had envisioned for him. She had sacrificed everything-her small savings, her comfort, and her daily joy of having her son by her side-so Anmol could study and build a better life abroad. Anmol was a hard worker, juggling university classes and long hours at Amrish's restaurant. The boss, a shrewd businessman, valued profits over people. Anmol, like the rest of the staff, was little more than a cog in the relentless machinery of the restaurant's success. One evening, after another grueling 12-hour shift, Anmol sat on his small bed in his shared apartment. His phone buzzed. It was his mother. "Anmol, Dashain and Tihar are coming. I've cleaned the house and even set aside some money to buy your favorite sweets.

Ting’s first feature is a monumental documentation of a large-scale HDB (Housing and Development Board) flat in Jurong by portrayal of its corridors and interior balconies. The film seamlessly scales the building from bottom to top, traversing every available 'public' space in its ascent. Shot just before sunrise with few inhabitants to be seen, the film becomes solely occupied with the interplay between camera and architecture – the shifting tones, lights and shapes that emerge from movement. The soundtrack is derived from a live performance by Balbalab during the world premiere of the film at the Singapore International Film Festival on 28 November 2016. Balbalab is a collective of experimental musicians from Singapore exploring a variety of strategies toward electroacoustic improvisation. Their sonorous response uses field recordings mined from the same HDB block and then cut up, processed, and reassembled.

Catrasca (Jorge Porcel) is a man who works in a restaurant and in his spare time helps in a children's home. His problem is that he carries a family tradition that makes him cause catastrophes in his path, one of which takes his boss (Adolfo García Grau) to the hospital. Upon leaving the hospital, Catrasca is run over by Graciela (Graciela Alfano), the daughter of Professor Galíndez (Osvaldo Terranova). This is how he meets this professor, who has a formula that says he will be the salvation of humanity, so he is the object of persecutions by villains such as Dr. Linda Winters (Moria Casán).