NINJAGO: The Virtues of Spinjitzu

The Vermillion continue their operation: Heavy Metal, stealing metal from Ninjago.

Grey Rainbow tells the love story of Nuer and Porsche. Nuer is the son of the owner of an elephant camp while Porsche is a law student. In university, they were dormitory roommates and close friends, each fighting against the feelings that one has for the other.

Chanon is a responsible, enthusiastic and hardworking young man. He is at his milestone of life, facing a career promotion and becoming the head of a factory. However, Atibed is jealous of his career growth and is determined to get back what he deserves. One day, Chanon meets Antika and their relationship is blessed by her father. Threatened by Chanon’s success, Atibed frames him and he is sent to prison. When Chanon is released, everything has changed except the love between him and Antika. With all these difficulties and obstacles, what will be their destiny?

Oh Yeah! Cartoons was an American animation showcase that appeared on the Nickelodeon cable channel. Oh Yeah! was an animation project guided by Fred Seibert, former Creative Director of MTV Networks and President of Hanna-Barbera. Produced by Frederator Studios, it ran as part of Nickelodeon's Nicktoons lineup, and in its second season, was hosted by Kenan Thompson of All That and Kenan & Kel fame; Then later by Josh Server, from All That, for its third season. Bill Burnett composed the show's theme music. Oh Yeah! Cartoons was distributed by Nelvana outside of the United States.

IZ*ONE City is a web variety series featuring IZ*ONE released by Mobidic. It is the third instalment to Mobidic’s “Idol City” series.

This contains all the reactions and responses by Fing on Youtube ...

The UK’s best metal detectorists join forces to uncover their share of some of Britain’s buried billions.

After simultaneous heartbreaks, online diary writer Gus and his squad of queer BFFs navigate the ins and outs of dating to find true love.

Mills wanders around his flat, telling ludicrous fictional anecdotes about his showbusiness friends and reminiscing about his time as a television producer. These stories are illustrated by genuine clips from the ITV archives, which, interspersed with Mills' own heavily-contrived commentaries and bizarre non-sequiturs, come together to reveal surreal fictional backstories.