Without Breast There Is No Paradise

A 1950s housewife goes to Rio de Janeiro to meet up with her husband, only to learn he's deserted her, but decides to stay and open a bossa nova club.

Rosa is abandoned as a baby at a boarding school along with a payment of 18 white diamonds. Her mother is Rosaura Sotomayor, a distinguished socialite who needs to hide the fruit of her affair. Rosa grows up and befriends Eva Sotomayor, and both girls vow to live as sisters. Their lives change after they meet José Ignacio Altamirano, an attractive, intelligent and conquering man who takes advantage of Eva’s innocence. The rich heiress dies in a mysterious accident, and Rosa decides to take her identity to avenge her dear friend.

A scandal erupts in Brazil during an investigation of alleged government corruption via oil and construction companies. Loosely inspired by true events.

After her cop father is killed, a woman earns a spot in special forces and is soon tasked with taking down a drug dealer in a dangerous neighborhood.

Marido En Alquiler is a Spanish-language telenovela produced by United States-based television network Telemundo Studios, Miami and Brazilian Rede Globo. It is a remake of the Brazilian telenovela, Fina Estampa, although the working title for the project was Reina Madre. Sonya Smith and Juan Soler star as the protagonists, marking the latter's debut with Telemundo after signing an exclusivity agreement with the network in 2013, with Maritza Rodríguez and Miguel Varoni star as the main antagonists.

Destiny brings two youngsters together in the middle of a flower show whose love story begins as soon as they meet. Maia and Pablo come from different social classes: Maia is Othón’s daughter, one of the most important entrepreneurs in the flower growing industry, while Pablo belongs to the bodyguard squad escorting Antonia, Othón’s biggest opponent… two people holding a lot of grudge. Antonia and Othón met at a young age and they don’t miss any chance to hurt each other, so when the confusing encounter between Maia and Pablo takes place, Antonia uses that ‘holy gift’ to fool the girl by telling her Pablo is one of the most important flower-growers in the country... a lie that is not intended to hurt Maia, to whom is irrelevant whether Pablo has money or not, but Othón instead, a nouveau riche with no class who wants his daughter to marry a wealthy man and would be ov

Sonic, Tails, Princess Sally, and a band of freedom fighters battle to overthrow Dr. Robotnik, a despotic dictator who conquered their home planet Mobius years ago, and rules it as a polluted industrial dystopia.

A new caretaker moves with his family into the mysterious Overlook Hotel for the winter.

¡Vivan los niños! is a Mexican telenovela for children that premiered in 2002. It ran for 155 episodes and finished in 2003. The opening, Vivan los niños, was recorded by the Latin pop group OV7. One of its closing themes, also entitled Vivan los niños, was performed by Cuban-American singer and songwriter Ana Cristina. The show is a version of the Argentinian telenovela "Jacinta Pichimahuida, la maestra que no se olvida". The series starred Andrea Legarreta as 2nd grade teacher Lupita Gómez. After the series ended, Andrea became the long-time host of the morning talk show Hoy. On July 12, 2012, in celebration of Andrea's birthday, the producers of Hoy reunited her with the young actors who played her students on the series.

Betty is a young Latina in New York who, rejected in multiple jobs, accepts one below her qualifications in the fashion industry. Amid the glamor and business, the war between the pretty and the ugly, Betty grows and faces the biggest challenge of her life: love.

La Madrastra is a Mexican telenovela. It was produced by Televisa and broadcast on Canal de las Estrellas in Mexico from 7 February 2005 through 29 July 2005. The program became an unexpected success, garnering ratings in excess of 30 points. Starring Victoria Ruffo and César Évora, who last appeared together in 2000's Abrázame muy fuerte, La madrastra tells the story of María, a woman who lost twenty years of her life after being falsely accused of murder and who returns to Mexico to exact revenge on her husband and friends who abandoned her and to see her beloved children once more. La Madrastra is fourth in a series of remakes of the 1981 Chilean production of the same name. The program aired five nights a week, Monday through Friday, at 9 pm for 25 weeks. A follow-up special, La madrastra: años después, aired shortly after the finale on 30 July 2005.