Noozles

Based on a Thai legend, it tells the unearthly love story between Mak and his wife Nak who died in childbirth while her husband was at war and nevertheless remained around with her child both as ghosts. When Mak returns home, he finds his wife and child seemingly well.

Cal Fire imbeds viewers within the largest emergency force in the country; access to all 6,100 firefighters as they work to contain California's near-constant blazes.

"Who is Pom Pom? How come you don't know me? Hoo! Nobody really knows me, because sometimes I'm like this, sometimes I'm like that. I can change my shape amazingly: if I want, I am like a fur patch, or a wig, or one-finger fur gloves turned inside out, or a room-painting scrub, or a cotton tassel on the toe of a slipper. Now I look most like a fur hat, sitting on the branch, a nice long branch, up-heh-heh-heh, down-heh-heh-heh, as a breeze sways the branch..."

Téo, a solitary medical student burdened by the care of his paraplegic mother, becomes infatuated with Clarice, an aspiring screenwriter he meets at a barbecue. When she rejects his advances, he resorts to an extreme measure: drugging and kidnapping her. He forces Clarice—sedated and trapped as his passenger—on a road trip through the very locations she scripted in her screenplay, attempting to awaken her love through repetition and manipulation.

Licking Hitler is a television play about a black propaganda unit operating in England during World War II, broadcast by the BBC on 10 January 1978 as part of the Play for Today series. Written and directed by David Hare, it featured performances by Kate Nelligan and Bill Paterson. Photography was by Ken Morgan and John Kenway while the producer was David Rose for BBC Birmingham. It won the best single television play BAFTA award for 1978. Hare intended the work as a companion piece to his stage play Plenty and he wrote Plenty as he was editing Licking Hitler, scene and scene about. Its theme is similar to that of Plenty: the effect of war on individuals' private lives and treating their experiences as a metaphor for the England of the present.

Gönülçelen is inspired by Bernard Shaw's play 'Pygmalion' and its film adaptation 'My Fair Lady'. The series transports the scene to Istanbul where both Murat and Hasret, the two main characters, live. Murat is thirty years old and a successful musician and music educator who was born and raised in Istanbul. He comes from a long line of respected, rich and noble people. The female protagonist Hasret - on the other hand - was born and raised in one of Istanbul's most impoverished neighborhoods. She is a free spirited young woman with a 'foul' mouth. Hasret makes her living by selling flowers and occasionally singing in a band. Murat hears potential in her untrained voice and takes it upon himself to teach her the secrets of music by giving her a classical training.

Three millennia after the first invasion of the Space Pirates Barban, a new set of Gingamen — Hyuuga, Gouki, Hayate, Hikaru, Saya — have been selected to protect the Earth. That is, unless the Barban are able to disrupt the ceremony!

Hoshitani Yuta enters Ayanagi Academy, a school focusing on show business activities, specifically music. The academy has a group of the grade three students with the highest grades in the musical department, and they are known as the Kao Kai (Cherry Blossom Flower Association). This organization stands at the top of the pecking order within the academy. The shortcut to entering the musical department is to enter the Star Frame class, which is directly taught by the members, and to be recognized by them. Unfortunately, due to their own problems, students Nayuki Toru, Tsukigami Kaito, Tengenji Kakeru, Kuga Shu and Hoshitani Yuta are all struggling to even remain candidates for the musical department. By a stroke of luck, however, the five are spotted by Kao Kai member Otori, and they pique his interest.

A type of docu-dramatic comedy, straddling both documentary and fiction, Féminin/Féminin delves into the lives of six 20-something friends—lesbian, bisexual, and, yes, even straight—as they “live and love” in Montreal.