In the Registrar's Office

Irin is said to be hot-tempered and fearless — "The Devil". It's all an act, though; she puts up a mean front to build up her younger sister, Inn, by contrast. However, her young vet and neighbour Namcha couldn't care less. No matter how catty she behaves, his love persists. He's loved her ever since they were students and has no plans of changing his heart. In fact, they used to date until Irin broke things off without any explanation. Namcha has never forgotten his first love, but Irin doesn't believe his feelings are unchanged; Namcha makes it his mission to prove it to her. Love should come easy for the two, but family, work, and even friends all seem primed to tear them apart.

The story is about an unlikely friendship between two women. This intimate look at two lives chronicles their struggle with love, loyalty, and fulfillment. Two women with seemingly different outlooks on life come together against all odds in a fragile attempt to seek out the best of what they have to offer each other and themselves. Can their unexpected friendship survive affairs of the heart? An honest tale of two women unfolds with an end as uncertain as the friendship which drew them together.

An ambitious young woman with a traumatizing past targets an Italian man, the distant son of a wealthy Brazilian family.

Fahmai moved into Arthit's house after her parents died. She knew she was going to get kicked out of the house so one day, she set up a plan to get Arthit into bed. Instead, Arthit stormed out of the house and got into an accident. He survived but his hate for her grew. She was sent abroad for 4 years then 4 years later, she returned because she made a promise to his parents. She thought time will heal all wounds but that wasn't the case, instead, it intensified even more.

This Hour Has 22 Minutes is a weekly Canadian television comedy that airs on CBC Television. Launched in 1993 during Canada's 35th general election, the show focuses on Canadian politics, combining news parody, sketch comedy and satirical editorials. Originally featuring Cathy Jones, Rick Mercer, Greg Thomey and Mary Walsh, the series featured satirical sketches of the weekly news and Canadian political events. The show's format is a mock news program, intercut with comic sketches, parody commercials and humorous interviews of public figures. The on-location segments are frequently filmed with slanted camera angles.

The portuguese adaption of UK's original talent show Britain's Got Talent, a unique format that gives anonymous people, individual or in a group, the chance to show their artistic gifts in the most diverse areas with no age restriction.

A movie star and two business CEO's died one after another in "S" city, and the causes of their deaths were very strange. What is even more bizarre is people report that a dark shadow appeared at the scene of these three murders. As a result, the S City Criminal Investigation Brigade quickly launched an investigation. Among the suspects are the richest female in S City, cynical rich second generations businessman, and some bastard at the bottom of society...

This series by Jos Gevers and Jeroom Verten is set in 1958 and revolves around the friendship between the wealthy insurance broker Sander Slisse and the simple Cesar. Other characters are Slisse's wife Melanie, his sons Rik and Jan, his daughter Tinneke and the eternal factor who always comes begging for a drop of gin. Joanna Geldof also contributed to this series. The sitcom was interpreted in Antwerp. The series was also adapted into a play, in which other actors took on the roles.

A series about the events of 1943, when, after the devastating events near Stalingrad, German troops are preparing for revenge. A Soviet landing group was thrown into the territory occupied by German troops. The combat mission of the deceased reconnaissance group was to reconnoiter the plans of the impending German counteroffensive, which was supposed to come either from Belarus or from the Kursk direction.

In this provocative television essay, writer and broadcaster Jonathan Meades turns his forensic gaze on that modern phenomenon that drives us all up the wall - jargon. In a wide-ranging programme he dissects politics, the law, football commentary, business, the arts, tabloid-speak and management consultancy to show how jargon is used to cover up, confuse and generally keep us in the dark. He contrasts this with the world of slang, which unlike jargon actually gets to the heart of whatever it's talking about even if it does offend along the way. With plenty of what is called 'strong language', Meades pulls no punches in slaying the dragon of jargon.