Ask God For Forgiveness... Not Me

Rosendo Arango, the owner of Grupo La Anita, is married to Alfonsina. They have one son, Damian. Estefanía Bouvier is married to Augusto Castanon and they have one daughter, Elisa. Rosendo cheats on his wife with Carmina Bouvier, Estefanía's sister. Damian and Elisa become friends because Augusto and Rosendo were best friends. But one day, Rosendo and Carmina try to go away from La Ermita, the pueblo in which they live in. But, Estefanía, who had found out about their plans, wants to prevent this, shuts Carmina in her room and then goes with Rosendo in his car, trying to convince him not to run away with Carmina. They have an accident and die and everyone thinks they were lovers.

Tormenta en el Paraíso is a telenovela that was made by Televisa. This telenovela has a blend of new talents and with figures of extense experience in the television, and it began filming scenes in locations in the states of Quintana Roo and Veracruz on September 20, 2007. The telenovela is a production of Juan Osorio, premiered November 12 of 2007 in El Canal de las Estrellas.

Two years after her sister Liliana disappeared without a trace, Mariana receives painful closure when her body is finally discovered. Mariana’s pain empowers her to embark on a tireless mission to learn the truth about what happened to Liliana – a decision that will open her eyes to despicable statistics of a country unable to stem the brutal violence against women.

Mortified was an Australian children's television series, co-produced by the Australian Children's Television Foundation and Enjoy Entertainment for the Nine Network Australia, Disney Australia and the BBC. The series premiered on 30 June 2006 and ended on 11 April 2007 with two seasons and a total of 26 episodes. Currently, re-runs air on both ABC and the Disney Channel, in the U.S. on Starz Kids and Family, and in the UK on Pop Girl.

She is Yoshiko Hanabatake, and she's an idiot through and through. She loves bananas, and she loves her childhood friend Akkun. That is all!

The bite of a radioactive spider transforms a teen into a superhero.

Mariana de la Noche is a Mexican telenovela from 2003. Written by Delia Fiallo and produced by Salvador Mejia, it starred Angélica Rivera, Jorge Salinas, Alejandra Barros and César Évora.

A couple adopts a boy named Nicolás. Over the months, Nicolás is diagnosed with leukemia, and to try to recover, he will need the help of his biological father, whom he does not know.

The night before her wedding, Julia, a young pediatrician with a promising future, vanishes without leaving a trace behind. Five years later, in the middle of the road, a college student discovers a woman in a wedding gown, alone and confused. The boy takes her to the nearest hospital. On the way, the woman gets to reveal her name: Julia Borges. Julia has no memory on what happened to her in those five years. All she has is an image she just can’t get out of her mind: A man she doesn’t recognize who promises to always look after her. Mauricio, Julia’s fiancée, has moved on believing she is death. He is married and has a one year old kid. His new wife: Camila, Julia’s conflictive little sister. The only person who got his hopes up about finding Julia was Tomás, her best friend and workmate. Tomás has invested all his money, ruined his marriage, and almost went bankrupt trying to discover her whereabouts. The reason? He has always been in love with her. Julia tries to face this new reality in which the man she loves is married to someone else and all her life projects came to nothing. Meanwhile, she is trying to find clues that can reveal what happened to her in those lost years and who is responsible for her disappearing.

Ana, a dedicated wife and mother, must reinvent her life after divorcing her philandering husband. When she meets and falls in love with a much younger man named Joaquín, her family and future change forever.

Four women of different ages and social strata are forced to live together under the same roof. At first, the coexistence between them is complicated and tense due to their different visions and ways of facing life, but little by little the sisterhood and solidarity prevail when realizing the peculiar bond that exists between them: each one has suffered, in one or otherwise, the absence and abandonment of their respective partners.