Hijas de la luna... y la familia cambió

Angela is a Mexican telenovela, which was produced by Televisa and broadcast on Canal de las Estrellas in 1998. The series was first debuted on May 17, 1999 on Univision in the United States, replacing that year's hit La Mentira, and ended on September 9, 1999, being replaced by Tres Mujeres. It aired a second and a third time on Galavisión on March 15, 2000 and May 8, 2001, and ended a second and a third time on July 1, 2000 and August 24, 2001. It aired a fourth time back to Univision's late night "Grandes Historias" lineup, aired on October 28, 2003, and ended on February 27, 2004. It aired a fifth time on TeleFutura on September 18, 2006, and ended on January 8, 2007. This telenovela contained 78 episodes.

Two very different families live in the village of Santa Lucía who are involved in a whirlwind of passion, pain, and revenge. The rivaling families are the Mendozas and the Alcocers. Severiano Mendoza and Candela Santana are a rich and powerful marriage who live at the ranch, "Las Ánimas", along with their young son, Cristóbal. Roberta and Raymundo Alcocer also have a daughter named Alonza; however, they do not live with the same luxuries as the Mendoza family, which causes frustration and resentment in Roberta as nothing is enough to fill the inferiority complex that follows her like a shadow.

My fortune is loving you tells the story of Natalia and Chente, who both suffer different situations that change their lives instantly. Natalia comes from a high social position; however, she loses everything when Adrián, her husband, leaves her for what was "her best friend" after 20 years of marriage, in addition, he leaves her on the street and penniless. Vicente, from a different socioeconomic class than Natalia, falls into the hands of a financial fraud that also leaves him in a very difficult economic situation, adding the recent loss of Lucía, his wife, at the hands of a bank robbery in which she was. For Natalia and Chente, they have no choice but to live under the same roof, with which, upon meeting the relationship, they will go through a lot of ups and downs of emotions when they try to resolve their personal situations.

Corazón indomable is a Mexican telenovela produced by Nathalie Lartilleux for Televisa. It is a remake of Marimar, produced in 1994, and starring Thalía and Eduardo Capetillo. Ana Brenda Contreras and Daniel Arenas star as the protagonists, while Ingrid Martz, Elizabeth Álvarez, Carlos de la Mota and René Strickler star as the antagonists.

A moving tale of courage and resilience in the struggle for freedom – this is the role that life has cast for headstrong Morena in Brave Woman. Raised in a poor neighborhood in the outskirts of Rio de Janeiro, this tough and humble woman will spare no effort to protect her family and gain her independence.

Angela and Samantha were best friends when they were little, but a trap of fate separated them for many years. An unmissable story of loyalty, friendship, courage and love.

Rebeca murders her sister Adriana to end up with the man she loved, and becomes the step mother of her niece Lucía. Nora, Lucía's half sister and daughter of Rebeca, resents Lucía for the same reasons Rebeca hated Adriana, as history repeats itself.

Danna Paola stars as Patito, Eleazar Gómez as Mateo, Violeta Isfel and Cynthia Klitbo, play antagonist roles as Antonella and Bianca. The telenovela features adult protagonists also, René Strickler and Vanessa Guzmán. It first aired on Sunday, 8 March 2009, as the first telenovela to debut on a Sunday in Mexico. After a year of success, becoming a major hit in Mexico, especially among children, its final episode was also on a Sunday, 7 March 2010.

Mayhem and mishaps follow young witch Mildred Hubble wherever she goes. She just can't help it! But with her friends' help, Mildred always manages to avoid disaster just in time.

Four women of different ages and social strata are forced to live together under the same roof. At first, the coexistence between them is complicated and tense due to their different visions and ways of facing life, but little by little the sisterhood and solidarity prevail when realizing the peculiar bond that exists between them: each one has suffered, in one or otherwise, the absence and abandonment of their respective partners.