Matchmaking

Through seven scenes, the film follows the life and destinies of stray dogs from the margins of our society, leading us to reconsider our attitude towards them. Through the seven “wandering” characters that we follow at different ages, from birth to old age, we witness their dignified struggle for survival. At the cemetery, in an abandoned factory, in an asylum, in a landfill, in places full of sorrow, our heroes search for love and togetherness. By combining documentary material, animation and acting interpretation of the thoughts of our heroes, we get to know lives between disappointment and hope, quite similar to ours.

Stations throughout Connecticut and even New York City. Riding around with my father and back to the gas station.

Someone’s picking off crime boss Gus Gruman’s crew, luring them in for a “good time” before brutally killing them. Obsessed detective Trent Jacobson hunts the killer, unaware his nephew Donny is tangled in a web of secrets - dating Gruman’s daughter and falling for a mysterious brunette. Lust, lies, and bloodshed build to a violent, explosive climax.

Old Mother Riley loses her laundry job and then battles her ex-boss in a parliamentary election.

A video strategy guide tutorial released by Game Player's magazine that covers Mega Man 2, River City Ransom, Ninja Gaiden and Wrath of the Black Manta.

Highland Sunset and a final look at Class 37s on the West Highland Line to Fort William before the introduction of Class 66s. Crewe Open Weekend with a tour of Crewe Works during the open weekend of the 20th and 21st of May with a variety of traction plus coverage of specials to the event with 33 and 37 hauage. Class 58 Profile with only half of the original class still in action we take a look at the class from the 1980s to the present day. Devon Contrasts and Class 67 and 47 motive power along the famous stretch of sea wall from Starcross to Dawlish.

Turna is brought from Turkey to Germany by her husband Dursun to start a new life. She soon realizes that he keeps her locked up in their flat every time he leaves for work in order to save her from immoral influences of the Western society. The dream of a better life becomes an inner fight between her culture and her freedom.

Sinterklaas and the Clubpieten have a busy year ahead: never before have so many shoes been put out. But the villain Kornee wants to ruin the Sinterklaas celebrations. Due to a mistake, he never received a gift from Sinterklaas when he was a child. To get his revenge, he has created Moepies, a new kind of cuddly toy. Kornee orders the funny Moepies to steal the presents from the children's shoes. When one morning not only the presents but also all the shoes are gone, the Petes are blamed. Sinterklaas doesn't understand what's going on. Will everything be okay in time?

Samuel Ordoñez Ybarra, author of the self-help book "SOY", ruined the lives of more than a million people with his philosophy "make the impossible possible". “Losers” is the story of four of them.

The former reputed lover and bon vivant Petr Vok from Rožmberk was widowed at the age of sixty-three. The loss of his much younger wife is hard to bear and it seems that nothing in his life will please him anymore. His loyal friends and servants do everything possible and impossible to cheer him up, but sometimes interesting situations arise, such as when they get him a guaranteed real mermaid. Will anyone be able to cure the master of his lethargy?

In this later work, director Han Okhi returns to her origins as a scholar of Korean poetry to transform the verse of Han Yong-un (1879–1944)—popularly known as Manhae—into a collage of stunning “cinepoems.” Han’s short film features fifteen poems from the eponymous The Silence of Love, the only collection of poetry left to us by the iconic Buddhist, poet, and revolutionary. Since the collection’s publication in 1926, the subject, object, or identity of its central love has remained widely debated. As scholar and translator Francisca Cho discusses, these fluctuations in meaning—a lover? Manhae’s beloved homeland enduring Japanese colonial rule? Buddhist enlightenment?—resound in the malleability of the titular nim, a word that evokes love, lover, beloved, or, as Manhae proposes in the preface to his work, “everything yearned for.” Director Han Okhi takes on the formidable challenge of visualizing the manifold meanings of Manhae’s poetry through her signature experimental style.