Let Liv

Ruth Butler, a clerk in an emporium, marries Jimmy Rutledge and thereby greatly displeases his mother, the owner of the emporium, because of Ruth's lowly origins. Renaud Graham, one of Mrs. Rutledge's friends, becomes interested in Ruth, forces his way into her apartment, and attempts to make violent love to her. Jimmy walks in on their embrace and, suspecting the worst, leaves Ruth. In the family way, Ruth finds refuge in a boardinghouse where she meets Al Bryant, an aspiring writer. Ruth tells Al her life story, and he makes it into a bestselling novel and then into a play. Jimmy sees the play and comes to his senses, winning Ruth's forgiveness.

A story of two contrasting individuals — a wealthy youngster who loves to live life partying and wooing women, without a care in the world for anything else, and a pregnant woman who loses her husband and is struggling in life. The two of them get stuck in a lift for several hours, turning both their lives upside down.

Hami Nepali Hami Gorkhali is a Nepali music video story about Gurkha people

Maggie and her sister form an unusual bond during an encounter with a young man.

Stations throughout Connecticut and even New York City. Riding around with my father and back to the gas station.

After the apocalypse, the inhabitants of Ark 73 try to lead normal lives, but someone began to sabotage their contact with the outside world.

A crime movie directed by Rudolf Jugert.

A pair of country thieves make friends with a general rising within the imperial army. After the general finds himself falling in love with the beautiful sister of one of the thieves (who is the fiancee of the other) he decides to do whatever it takes to get rid of the competition and have her for himself. Viewer discretion advised: this film contains extreme violence and sexual situations.

The Yakimanka Center for Contemporary Art is one of the most important institutions of contemporary art in the 90s in Moscow. It was here that the first open platform for all forms of self-expression was created. New artists, gallery owners and curators appeared here, the main events of the artistic life of the last decade of the twentieth century took place.

Hull, England, 1970. In a run-down commune in a tough port city, a group of social misfits - mostly working class, mostly self-educated - adopted new identities and began making simple street theater under the name COUM Transmissions. Their playful performances gradually gave way to work that dealt openly with sex, pornography, and violence. COUM lived on the edges of society, surviving on meager resources, finding fellowship with others marginalized by the mainstream. At the core of the group were two artists, Genesis P-Orridge and Cosey Fanni Tutti. As their work evolved, Cosey embarked on a career modeling for pornographic magazines, which she claimed for herself as a conceptual artwork, using it to forge a specific position in relationship to 1970s feminism. In performances, Genesis pushed himself to extremes, testing the limits of the human body.

Further to an accident, Serge falls into a coma. A research team is going to try to stimulate his memory to return him to consciousness.