Massive Asses 12

Best friends Ruth and Megan run a vintage shop in North London. One day, their lives are forever turned upside down when an abandoned time machine appears outside their shop. Mixing reality with fantasy, we explore the strange and outlandish world of The Unreason, as the girls traverse space and time sourcing items to sell.

A money transporter is ambushed near the small Eifel village of Eschbach. The young LKA chief inspector Lona Schanz then determined in the village and its surroundings.

A crime movie directed by Rudolf Jugert.

Portrait of a troubled peasant family. The film tells the story of two times widow Anna Belova who lives together with her brother Mikhail. Blending the two personalities, Kosakovsky characterizes the true Russian soul: she is the rational worker, honest and strong - he is the drunken poet, the idealist, his philosophy fades into radical nonsense time after time.

3 young women encounter car trouble on the way to a Dragonsclaw concert during a rainstorm. They are forced to go seek help, where one by bloody one they are attacked by a masked maniac and hung on meathooks. Who will survive and what will be left of them?

Visual anthology of Celtic new age recording artist Enya. This collection contains 13 promotional music videos highlighting her career from her self-titled debut in 1987 to her 2000 album, A Day Without Rain.

Virtuoso Afro-Cuban-born brothers—violinist Ilmar and pianist Aldo—live on opposite sides of a geopolitical chasm a half-century wide. Tracking their parallel lives in New York and Havana, their poignant reunion, and their momentous first performances together, Los Hermanos/The Brothers suggests what is possible when walls come down, and borders are crossed. A nuanced, intensely moving view of nations long estranged, through the lens of music and family. Featuring an electrifying, genre-bending score composed by Cuban Aldo López-Gavilán, performed with his American brother, Ilmar, with a guest appearance by violin maestro Joshua Bell and the Harlem Quartet.

Stations throughout Connecticut and even New York City. Riding around with my father and back to the gas station.

In this show, Neville narrates stories about his struggles with his age, bring orphaned, adulthood, death, depression, divorce and suicide. This isn't the only thing that doesn't make it a regular stand up special, it's also that he's doing sitting down. He treats his audience like is therapist and pretty much leaves them bereft of hope but bloated with laughter. It's dark, it's poignant, it's melancholic but it's hilarious. Considered one of the comics with the darkest material in India, Neville doesn't disappoint. The topics he deals with are narrated anecdotally, making them approachable. He doesn't make fun of them; he makes fun about them. Afflictions, vulnerabilities and flaws are a part of human beings and Neville takes his feelings about them, analyses and then presents them. It's a perspective of someone who is going through them. And you see him crumble and rise with each story, you can also see him going downhill.

Just as he is about to go on stage, Max receives a phone call from Philippe who announces his presence in the room. As soon as he hangs up, the actor collapses. Max will then have to draw on his game to face this man. But will he dare to confront him at the end of the show?