I Don't Know Who You Are

A Japanese-Canadian woman grapples with the death of her mother as she brings her family to a retreat. When her relationship with her husband begins to affect the children's emotional security, the family is changed forever.

Employees of well-off conman and lady's man Luther Lucas talk about the 5 women he'd most like to bed. To make this happen he'll spare no expense, pretend to be gay, pretend to be a friend of Garbo's--anything.

Oliver flees from abuse of his family and seeks refuge in the violent streets of Caracas, where survival is only possible in an environment of corruption, crime and sniffing glue to escape hunger, like other children in the same situation. Soon, the child becomes part of the clashes between drug gangs and corrupt policemen.

Thamizh, a brave youth, looks forward to working with his brother in Kuwait. Meanwhile, circumstances force him to clash with some gangsters which earn him Periyavar's wrath.

Based on the previous 'Final Chapter', world history has now been modified and reconstructed. Although Kudo was able to release himself from the curse caused by demon soldiers, he now has no money. Despite losing the memory of the previous world, Kudo, Ichikawa and Tashiro continue to work together in producing a horror documentary.

A Seattle household secretly cooperates with police in a case that links a family member to widespread arson.

Recorded at Nashville’s legendary Ryman Auditorium in December 2004. Features stellar performances by Andrew Peterson, Pierce Pettis, Phil Keaggy, Jill Phillips, Derek Webb, Sandra McCracken, Randall Goodgame, Andrew Osenga, Ben Shive, Andy Gullahorn, Phil Madeira, Gabe Scott, and others. Special bonus features include: Commentary by Andrew Peterson, Andrew Osenga, and Ben Shive Exclusive interviews Behold the Lamb of God documentary 5.1 Surround An up close look at the artwork by Evie Coates And more!

Nakamura Yukinojo gains popularity in Edo's kabuki scene as a handsome onnagata (a male actor who plays female roles). But hidden behind the placid expression of his stage face is a deep grudge for the men responsible for dishonoring his parents' names and leading them to suicide when he was still a child. When he discovers that the mastermind behind those crimes has come to see him act onstage, he begins in earnest to plot his revenge. With the help of a renowned Robin Hood-like thief named Yamitaro, he makes out his first target: the daughter of the man who orchestrated his parents' demise.

The loser Yaroslav returns to his homeland from a long journey, where he tried to know himself and the universe. The return falls on the birthday of his son, for whom he has long ceased to be an authority. Based on new values, Yaroslav is trying to confront obstacles and improve relations with the child. But the acquired concepts do not work well in the megalopolis, and my son needs something more than words...

Writer/director Leslie Carde finds her villain in the US Army Corps of Engineers, an agency whose primary aim is supposed to be that of protecting the nation's citizenry from potential disasters caused by the structural failure of dams, bridges, levees, buildings etc. Instead, the Corps, in cahoots with the many politicians and congressmen who work right along with it, has been found, over and over again, to be derelict in its duties - guilty of negligence, of employing harmful cost-cutting measures, of having misplaced priorities, of engaging in outright deception, and of brokering sweetheart deals with pet contractors. The movie is unsparing in its treatment of the Corps, and Carde clearly views it as her own personal mission to hold that organization accountable for the many acts of criminal malfeasance it has engaged in over the years.

In this western, the sole survivor of an Apache ambush rides out to save a young boy who has been captured. The hero was a captured outlaw en route to his trial.