The Pocket Film of Superstitions

The individual journeys of the four members of the band, as they move through the music scene of the 1960s, playing small clubs throughout Britain and performing some of the biggest hits of the era, until their meeting in the summer of 1968 for a rehearsal that changes their lives forever.

Colombo works at a 24-hour parking lot and tops up his measly wages by selling weed. Mario is a lawyer and a keen birdwatcher, but unfortunately for him, he is unable to drive due to a past accident. Mario offers to pay Colombo to drive him from Valencia to a lake in the Costa Brava (Spain), where he wants to see some cranes. When they reach the lake, the lawyer tells him that the birds have changed their migratory route and are now going to nest in the Danube delta in Constanza (Romania). Mario needs to get there, and Colombo needs the money. Neither of them is aware of the other’s story, but at that moment, a new and definitive journey starts for both of them.

Two thirtysomethings, unemployed former alcoholic Joe and community health worker Sarah, start a romantic relationship in one of the toughest Glasgow neighbourhoods.

Early morning silence is broken by screeching tires as a helicopter bears down on a speeding vehicle. Taking a quick corner, the team tumbles out into the woods as their car pulls away. Now they must make their way through the thick of nature and thick gunfire to accomplish their mission. Not a single word of dialogue is spoken throughout the entire film. Instead, the music, sounds, images and deeply truthful acting turn a simple plot into an intense experience. Passion and intrigue keep building to the very end.

A burned-out professional sniper finds himself trapped in an all-glass penthouse by a lethal competitor and must find a way to survive and escape with little to no cover between him and the killer.

A struggling young dancer finds herself drawn in by dark forces when a peculiar, well-connected older couple promise her a shot at fame.

Sam is a secret agent whose toughest mission to date is pleasing her bride-to-be best friend at a lavish destination wedding. When a team of mercenaries crashes the party and takes the guests hostage, Sam is thrown into a fight unlike any before — one where she can’t risk blowing her cover or ruining the big day. As she takes on the bad guys in a high-stakes battle disguised as a fairy-tale affair, she realizes the real threat might be closer than she thinks.

A fearsome 19th century bandit, Cobra Verde cuts a swath through Brazil until he arrives at the sugar plantation of Don Octávio Countinho. Not knowing that his new guest is the notorious bandit and impressed by his ruthless ways, Don Octávio hires Cobra Verde to oversee his slaves. But when Cobra Verde impregnates Don Octávio’s three daughters, the incensed plantation owner exiles the outlaw to Africa where he is expected to reopen the slave trade. Following his trans-Atlantic journey, Cobra Verde exploits tribal conflicts to commandeer an abandoned fortress and whips an army of naked warriors into a frenzied bloodlust as he vies for survival.

Morbius Jr, now an OId Man, is nearing the end of life, when he finds the last hope for all Morbkind. However, as he fights to protect the future of Morbheads, he finds himself facing off against an unlikely of enemy... HIMSELF.

Gilles, who operates a money losing garage, teams up with his friends Max, who operates a scrap yard, and lawyer Xavier to open a brothel catering to women. They get the idea from Gilles' secretary Irma, a former prostitute. They are assisted in the implementation by Max's wife Juliette and Sabine who is mad for Gilles. Unfortunately Gilles has fallen for Florence the daughter of the conservative Prime Minister and his wife. When the Prime Minister tries to shut down the brothel Gilles decides to stand against him in the election.

When growing up in a community where gang violence is a way of life and Basketball is a way to escape it.

Three short tales of supernatural horror. In “The Telephone,” a woman is plagued by threatening phone calls. In "The Wurdalak,” a family is preyed upon by vampiric monsters. In “The Drop of Water,” a deceased medium wreaks havoc on the living.