The Box Boy 2: A Christmas Meltdown

Ruth Butler, a clerk in an emporium, marries Jimmy Rutledge and thereby greatly displeases his mother, the owner of the emporium, because of Ruth's lowly origins. Renaud Graham, one of Mrs. Rutledge's friends, becomes interested in Ruth, forces his way into her apartment, and attempts to make violent love to her. Jimmy walks in on their embrace and, suspecting the worst, leaves Ruth. In the family way, Ruth finds refuge in a boardinghouse where she meets Al Bryant, an aspiring writer. Ruth tells Al her life story, and he makes it into a bestselling novel and then into a play. Jimmy sees the play and comes to his senses, winning Ruth's forgiveness.

"a colorful poem of the first copy-motion film... the system registers images directly from a color (xerox) duplicator model 6500... an original, versatil, unique system developed by Darino" –Back Stage

In the wake of last week’s Backwoods Bloodbath (review here) release, MVM offer up another similarly abysmal slice of no-budget drudgery in the form of Razor’s Ring. Here the story follows protagonist Scott (Casey), a businessman out for his morning run when he comes across ruthless ex-con couple Razor and Julie (Schilens and Wharton). After witnessing them callously run over a dog on the road, Scott has a gun pulled in his face and is forced to join them on their Death Race 20000-inspired joy ride as the pair attempt to gain a better “score” than their partner.

Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.

In war-torn Puglia, mute homeless but childlike in spirit fifty-year-old Sciusciù witnesses three Allied paratroopers landing one night and resolves to guide them to safety. He brings them to his trusted friend Annamaria’s farmhouse, persuading her to hide and protect the fugitives.

This animated film presents the journey of a queer person, exploring sexuality and the queer community. It illustrates an observation of the modern queer society and fantasies toward the freedom of gender fluidity, reflecting the real situation of the community where discriminations, freedom, and love coexist.​

“We never know how high we are till we are called to rise” could be the motto of this stunningly filmed, high impact and suspenseful motion picture that is based on a true story. Solomon Kalushi Mahlangu is a teenage hawker who is drawn into the liberation movement to fight against an oppressive apartheid South African government. When he and his comrades are accosted by police while on a mission he is charged with two counts of murder. He is in a fight for his life and must prove his innocence.

Three old men and a little boy try to preserve what they consider to be National Patrimony in the form of a locomotive nicknamed the "33"