Spring Snow

Ruth Butler, a clerk in an emporium, marries Jimmy Rutledge and thereby greatly displeases his mother, the owner of the emporium, because of Ruth's lowly origins. Renaud Graham, one of Mrs. Rutledge's friends, becomes interested in Ruth, forces his way into her apartment, and attempts to make violent love to her. Jimmy walks in on their embrace and, suspecting the worst, leaves Ruth. In the family way, Ruth finds refuge in a boardinghouse where she meets Al Bryant, an aspiring writer. Ruth tells Al her life story, and he makes it into a bestselling novel and then into a play. Jimmy sees the play and comes to his senses, winning Ruth's forgiveness.

Roughly chronological, from 3/96 to 11/96, with a coda in spring of 1997: inside compounds of Aum Shinrikyo, a Buddhist sect led by Shoko Asahara. (Members confessed to a murderous sarin attack in the Tokyo subway in 1995.) We see what they eat, where they sleep, and how they respond to media scrutiny, on-going trials, the shrinking of their fortunes, and the criticism of society. Central focus is placed on Hiroshi Araki, a young man who finds himself elevated to chief spokesman for Aum after its leaders are arrested. Araki faces extreme hostility from the Japanese public, who find it hard to believe that most followers of the cult had no idea of the attacks and even harder to understand why these followers remain devoted to the religion, if not the violence.

An archival investigation into the imperial image-making of the RAF ‘Z Unit’, which determined the destruction of human, animal and cultural life across Somaliland, as well as Africa and Asia.

As John T. Wrecker continues his task of protecting a group of refugees from a virus, the threat of something new and even more dangerous grows ever closer in the form of monstrous mutants.

Follow a normal day in the life of three abnormal people to see what it's like to walk in another person's shoes for a day. Shot entirely in subjective camera, the audience will experience a day in the life of these three characters by hearing their internal monologue, dialog, and by seeing what they see as they go about their daily business. Since the movie is all about perception, all three characters lives intertwine in a scene that each character perceives completely different, leaving the audience to decide for themselves what really happened on this normal day. Each characters lives twist and turn as the movie progresses into a fun, yet different, cinematic adventure.

After the death of their abusive father, two estranged twin brothers must reunite and sell off his property.

The movie is an absurdly ironic narrative that reflects the anti-science and anti-American tendencies of recent times.

A crime movie directed by Rudolf Jugert.

An experimental film through the eyes of a man