Paper 2: MineSweeper

Nathan receives early access to a new video game, but has some trouble getting it to run.

A cowboy whose friend has been swindled out of his ranch and then murdered must take care of the man's son, then he goes after the killers.

Parker, a successful advice columnist, and her best friend Aaron have been inseparable since childhood. She knows everything about him, including the fact that he doesn't love his fiancé. Desperate for help, Parker pens an anonymous letter to her own column asking for advice. Unexpectedly, she learns about her own feelings instead.

After the death of Mr. Abduscan, Gonçal seeks revenge, with all his strength to finish off the Anthropomorphs, but they won't make it easy for them.

After the turmoil brought on by the enchantment of the Fox Demon on the Scholar subsides, the capital city returns to its former prosperity and bustle. Empress Wu, in high spirits, decides to hold a hunting event, inviting nobles and skilled warriors from the common folk to come together and engage in equestrian archery competitions. The Tuyuhun Khan Murong Ji, too, is invited but finds himself suspect in a conspiracy to assassinate the Empress due to a series of unfortunate events. With no way out, Murong Ji seeks Pei Kun, hoping that he can assist in finding the true culprit and clear his name.

D.W. Griffith short intercuts two different stories before mixing them together at the end. The film focuses on a telephone girl who leaves work for her lunch break at the same time as "The Lady" goes to a jewelry store to pick up some priceless jewels. When the telephone girl returns to work she gets a phone call from the house of "The Lady" as a robber has broken in and is trying to steal the jewels.

Lynda Wiesmeier, Playmate of the Month July 1982, along with other Playmates

The sixteenth night of the tournament took place on August 8th, 2023 at Act City Hamamatsu in Naka-ku, Hamamatsu, Shizuoka, Japan.

Filmed at New York’s Carnegie Hall, Cut Piece documents one of Yoko Ono’s most powerful conceptual pieces. Performed by the artist herself, Ono sits motionless on the stage after inviting the audience to come up and cut away her clothing in a denouement of the reciprocity between victim and assailant.