Święta noc

A story about a group of high school graduates, their unbreakable bond and life and death friendship.

Two souls lost in a world of modernisation find each other in a moment's need for clarity and appreciation.

Kumar Agnihotri belongs to a wealthy family, consisting of his dad, Madan, and mom, Janki. He is in love with beautiful Mala Bajpai, and they hope to marry soon with the blessings of their respective parents. Kumar's other passion is boxing, which Janki loathes, and hopes that he will give this up soon. When the Agnihotris bring home a woman named Ganga, and introduce her to Kumar as Janki's childhood friend, Kumar finds out that Ganga is his biological mother, and his father, Ajay Kumar, was the National Champion in boxing, who was killed by three men for refusing to lose a fight. While Janki is afraid that she is going her son to Ganga, Kumar has decided to avenge his biological's father's death by any means, little realizing that he may face the same fate his father did years ago.

Filmed April 12, 2003 at a benefit concert held at and for The Anthology Film Archives, the international center for the preservation, study, and exhibition of avant-garde and independent cinema. In addition to screening films for the public, AFA houses a film museum, research library and art gallery. The event, which raised money for the Archives and celebrated the life and work of avant-garde film maker Stan Brakhage, featured Sonic Youth providing an improvised instrumental collaboration with silent Brakhage’s films. The band performed with drummer/percussionist Tim Barnes (Essex Green, Jukeboxer, Silver Jews).

Documentary about radio comedies primarily focused on Burns & Allen, Edgar Bergen & Charlie McCarthy, The Jack Benny Program, Fibber McGee & Molly, The Bob Hope Show, and The Fred Allen Show.

Delves into the history of software development that started as a woman-led industry but has evolved into a majority white-male and Asian-dominated industry. It tackles the tough topic of why women as well as black and Latinx people don’t pursue software careers. The film aims to shine a light on how amazing a career in software can be and how diversification makes better software and can be a generational change for many.

A thrifty, cash-strapped neurotic visits a funeral home to try to negotiate a buy-one-get-one-free deal on burials.

In this gripping short drama, Domé, a young woman from Gabon who speaks flawless French, is apprehended at the airport on her way into Belgium. She says she’s a French citizen—a businesswoman on her way to meet with suppliers. Border control agents say she’s lying and traveling with a stolen passport. Shut in a bare interrogation chamber, Domé faces dehumanizing treatment from accusers, firmly answering the same questions over and over. While left on her own, she can hear cries coming from the next room. Trying to stave off deportation, Domé asks to use the bathroom. There, she carries out a traditional ritual—one which could cost her her life, or give her a chance at a new one. YOU WILL BE MY ALLY is an early work of Rosine Mbakam’s that already shows the themes which have come to inform the award-winning filmmaker’s career.

A man returns to Shannxi to get three castrated goats, but excessive COVID quarantine rules stymie him and leave him and his family in chaos.

Elena, after a date with his boyfriend Guido, comes home finding his father tried to kill himself with gas because he lost a lot of money due to some wrong investments.

Inspired by Japan's butoh theatre, Crépuscule is a stop-motion animated short film about a group of creatures living in perfect symbiosis with their environment. When a man and a woman break into their boring and regulated world, their lifes are shattered forever.

Beginning with the arrival by canoe of a TV and VCR in their village, The Spirit of TV documents the emotions and thoughts of the Waiãpi as they first encounter their own recorded images and those of others. Viewing news broadcasts and videos of other Brazilian native peoples, the Waiãpi see the power of images to facilitate memory preservation and political awareness. Some people worry, though about the invasive spirits of outsiders that can come through the TV. Another concern is the negative exposure that might result from the Waiãpi broadcasting their own images.