Ole Aale

Cristina turns eighteen and leaves her bourgeois family to become a call-girl. But soon, her clients start turning up dead, their throats slashed. Who is responsible?

Jô is kicked out of home by his father on his birthday. Having no place to go, he takes refuge in the terrace of Rose, who just lost her husband.

South Africa’s diamond king, Jue Gung, neglected his loved ones and decided to return to Hong Kong for the New Year. His family attempts to gain favor with him, in hopes of inheriting some of his wealth.

An inside look at one of the most anticipated movie sequels ever with James Cameron and cast.

A young man will be mysteriously stalked by a girl seemingly obsessed with human flesh

Three Chinese friends build a successful English language school to help Chinese teenagers fulfil their dreams.

On an ocean liner, a nightclub singer tries to help a fellow American romance an English heiress who is being forced to return home to marry a man she doesn't love. The American must avoid his boss who is traveling on the same vessel and disguises himself as a gangster traveling with a minister who is, in fact, a disguised gangster on the lam.

A young man on a bicycle is turning a corner in front of an apparently abandoned building when he begins to hear the ringing of a cell phone. (A prequel to the first version of Ju-on, 2000.)

The former reputed lover and bon vivant Petr Vok from Rožmberk was widowed at the age of sixty-three. The loss of his much younger wife is hard to bear and it seems that nothing in his life will please him anymore. His loyal friends and servants do everything possible and impossible to cheer him up, but sometimes interesting situations arise, such as when they get him a guaranteed real mermaid. Will anyone be able to cure the master of his lethargy?

Ava DuVernay focuses on the history of female MCs in the hip hop industry in this short documentary that features Missy Elliott, Salt-N-Pepa, Eve, Jean Grae, Roxanne Shante, Trina, The Lady of Rage, and many more.

In this later work, director Han Okhi returns to her origins as a scholar of Korean poetry to transform the verse of Han Yong-un (1879–1944)—popularly known as Manhae—into a collage of stunning “cinepoems.” Han’s short film features fifteen poems from the eponymous The Silence of Love, the only collection of poetry left to us by the iconic Buddhist, poet, and revolutionary. Since the collection’s publication in 1926, the subject, object, or identity of its central love has remained widely debated. As scholar and translator Francisca Cho discusses, these fluctuations in meaning—a lover? Manhae’s beloved homeland enduring Japanese colonial rule? Buddhist enlightenment?—resound in the malleability of the titular nim, a word that evokes love, lover, beloved, or, as Manhae proposes in the preface to his work, “everything yearned for.” Director Han Okhi takes on the formidable challenge of visualizing the manifold meanings of Manhae’s poetry through her signature experimental style.