Marco Borsato - See - Live at the Kuip Pt.1

When a young musician and his wife become witness of a bank robbery they get in the midst of a political conspiracy with the risk of losing their lives.

Almost Elvis is a searing documentary that chronicles and attempts to explain the cult of personality that is the Elvis impersonator. Filmmakers tail a handful of Elvis impersonators from around the country who are all vying to win the 1999 Elvis World Championship in -- where else? -- Memphis, Tennessee.

Lethal Injection is a very well-researched film with definitive proof that vaccines are being stealthily used to force sterilize the masses, as part of the New World Order’s “fertility management.” Vaccines don’t work! Countless statistics show that time and time again vaccinated people contract the very disease they were supposedly inoculated against – sometimes from the very vaccine itself. With side effects including autism, paralysis, cancer and death, some vaccines contain aborted fetal tissue. As former director of the National Institute of Health director James Shannon said, “The only safe vaccine is a vaccine that’s never used.

Prince From Another Planet takes its title from a New York Times headline that accompanied its rave review of the King of Rock 'n' Roll's four sold-out shows at Madison Square Garden (80,000 tickets sold), the weekend of Friday through Sunday, June 9-11, 1972.

Camil, a writer who suffers from a psychological block, stops feeling her partner. He focuses his energy on his latest book called "She Was Always There" and becomes obsessed between his writings and Bhela. Until they meet again underwater.

When the best friend of the charming and always funny erotica poet Ines moves in with her boyfriend, Ines' life gets disrupted and she is confronted with a childhood trauma that she thought had been hidden away a long time ago.

Ruby, an 83 year old trying to dodge a retirement home, rents a room to Rata, a solo mum with sidelines in music and benefit fraud. Rata's son is into arson and shoplifting, while Ruby's nephew is a hapless yuppie wannabe. Marginalised by the deregulated economy of the '80s and living on their wits, they may just find common cause despite themselves.

This film by Stan Brakhage investigates the process of memory and thought by melting a series of images and a field of color. The positive-negative flickering graphs a sort of shutter-window all over the matter of the vision. Jittery flocks of space are interweaving as pieces of language in a scant illumination, whereas the process of thought is sheared in fuzzy transience.

In the wake of last week’s Backwoods Bloodbath (review here) release, MVM offer up another similarly abysmal slice of no-budget drudgery in the form of Razor’s Ring. Here the story follows protagonist Scott (Casey), a businessman out for his morning run when he comes across ruthless ex-con couple Razor and Julie (Schilens and Wharton). After witnessing them callously run over a dog on the road, Scott has a gun pulled in his face and is forced to join them on their Death Race 20000-inspired joy ride as the pair attempt to gain a better “score” than their partner.