In Her Own Time

The Dutch comedian Youp van 't Hek looks back on 1989.

January 1964, the author of the novel Tiempo de silencio, Luis Martín-Santos, dies in a tragic car crash. On the 60th anniversary of the accident and the 100th year since his birth, we follow his children on a voyage to reconstruct the writer, the psychiatrist, the man behind the work that turned him into a literary promise. A journey through the figure of Martín-Santos, his peculiar view of post-war Spain and his work hidden for years based on partly unpublished texts.

The study stylizes the highly concentrated training of a basketball team and the start of the big game the next day. Bodies, movements and sounds are fragmented in unusual excerpts, alienated by the reduction to black and white and reassembled in an original and fast-paced montage.

Recorded at the Credicard Hall in São Paulo, on 2 and 3 July 2010, the album celebrates the 30th anniversary of the group's career and is part of the 30 Years Tour. Participate as special guests Symphony Orchestra Villa-Lobos, singer Milton Nascimento in the song "In Bailes da Vida", the singer Sandy Leah in the song "Silver Rain", Father Fabio de Melo in the song "Peace" (version "Heal The World" by Michael Jackson) and the band in Fresno song "Rock'n Roll Show"

Suppressed memories reach a boiling point. An animated tale of longing. “The Experimental section saw Non Films’ Dull Hope scoop the premier place as category winner. Half animation and half movie footage, this hybrid resonated very much with the judging panel who deemed it to be a sad dirge on personal memories and heartbreak.” – The Guardian Directed & Animated by Brian Ratigan Music & Sound Design by Nick Punch (R.I.P.) Produced by Non Films

"Be Silent at Night", Caia reads on a wall in the apartment she has just moved in. Among the insistent innuendos by the new neighbor and the presence of her insurgent body in a new location, Caia begins to live inside a horror movie. In Gabriela Alcântara's film, the protagonist resorts to the protection of the Orixás to confront her fears and hauntings, experiencing magic through the strength of the herbs and the women around her.

The film was shot on the story of Valentin Pikul “Go and do not sin”, which tells about the real events that took place in Russia at the beginning of the 20th century. The story of the young beauty Olga Palem from a poor large family is replete with tragic events. Olga's passionate disinterested love for student Alexander Zapolsky becomes her evil rock. Spoiled and selfish, Alexander is not able to appreciate her feelings. Exhausted by humiliation, a young woman kills her lover. The high-profile trial of Olga Pale becomes a sensation that stirred up the whole of Russia ...

A woman sits alone in a bare white tiled bath, reading Georges Bataille’s ‘Story of the Eye.’ The bizarre events described in the text provoke a series of fantasies in which the room and its accoutrements become the stage and the woman the main player. As her dreams unfold in the liquid medium of the bath, she becomes the ‘eye’ of the story and her own body the object of its gaze. With a feminine hand, THE STORY OF I plucks Bataille’s central metaphor from its original context and re-invents its erotic vision from the inside out. The eye is the vagina, seen throught he blood, urine and tears, it looks at itself in a mirror.

In a remote village, a guest house managed by two sisters Song-hwa and Mi-ran is always quiet. One summer day, a group of four guys who were grave robbers were tied up to the house... After that day, Song-hwa's knife only got sharper. Meanwhile, Mi-ran feels love for Young-taek, but it only brought bloody red cries and death! Will the sun still be able to rise for these men?

3 young women encounter car trouble on the way to a Dragonsclaw concert during a rainstorm. They are forced to go seek help, where one by bloody one they are attacked by a masked maniac and hung on meathooks. Who will survive and what will be left of them?

Europa is a 12-minute anti-fascist film made in 1931 in Warsaw, Poland by surrealists Stefan and Franciszka Themerson. The film is based on Anatol Stern's 1925 futurist poem Europa. It uses collages and photograms, and articulates the sense of horror and moral decline its makers were witnessing. The film, while long thought to have been lost, is considered an avant-garde masterpiece.